WOK PRESENCE – OR LEAVING YOUR THUMPRINT

I presented this to my readers a couple years ago–while I am trying to figure out how to find some things, I have been repeating myself here and there, with apologies.

WOK PRESENCE – OR LEAVING YOUR THUMPRINT
Culinary Alchemy
or
THE COOK’S THUMBPRINT

For maybe over five years—maybe more like seven or eight now–I have been searching for a quote – a particular food quote. I KNOW you will forgive me for rehashing this topic once again but one of these days SOMEBODY is going to know the exact quote.

I searched high and low and far and wide, somewhat under the impression that it was something that perhaps M.F.K. Fisher or Elizabeth David had written. Needless to say I didn’t find it in either of their books that I have on my shelves. I searched through three books of food related quotes and did an extensive search on Google without having any success.

What the quote related to is the name of that “thing” – the subtle changes that occur when cooks trained in the same kitchen making the same dish, following the same recipe–end up with different results.

Also got to thinking one day as I was watching “Chopped” on the Food Network – that what they are doing is a take-off on this quote I am searching for. On Chopped, the contestants are given 3 or 4 of the same ingredients and in a specific amount of time (sometimes only 20 minutes!), have to create a dish–appetizer or an entrée or a dessert. They present their dish to the judges who decide which dish is the best and one contestant at a time is “chopped” or eliminated from the competition until finally one chef is declared the winner.

You all are probably familiar with this show so perhaps I am unnecessarily digressing. But what they are actually doing is WOK PRESENCE.

I accidentally found a quote while searching for something else. It was something Karen Hess wrote about in her outstanding book “THE CAROLINA RICE KITCHEN….THE AFRICAN CONNECTION”. Ms. Hess was referring specifically to African American women who, during the times of slavery, left their thumbprint on everything they cooked. They were a part of the south but they brought with them African influences which eventually changed the palate of southerners. Ms. Hess writes that the Chinese have a name for this, those subtle changes, and they call it Wok Presence.

(*I wrote an article for the Cookbook Collectors Exchange years ago, titled “OUR AFRICAN HERITAGE” which appeared in the Feb/March 1996 issue of the CCE – which was how I was led to The Carolina Rice Connection by Ms. Hess).

Another cookbook author, Rosa Lewis, had a somewhat different take on the same concept and wrote, “Some people’s food always tastes better than others, even if they are cooking the same dish at the same dinner. Now I will tell you why–because one person has more life in them–more fire, more vitality, more guts–than others. A person without these things can never make food taste right, no matter what materials you give them, it is not use Turn in the whole cow full of cream instead of milk, and all the fresh butter and ingredients in the world, and still the cooking will taste dull and flabby–just because they have nothing in themselves to give. You have got to throw feeling into cooking.” – and no, this is not the quote I have been looking for.

I have been aware of these subtle changes for most of my adult life. It’s why a recipe can be published in a cookbook with exact directions and measurements and my results may not be the same as your results. And there may be a dozen reasons why not.

In the early 1980s, when I was living in Florida, I became even more acutely aware of this difference as I tried to share some favorite recipes with my next door neighbor. She would come crying to me “My cookies burn! They don’t turn out like yours!” – I was baffled – after all, it was the famous Toll House cookie recipe on the back of every package of Nestle’s semi sweet morsels. How could it be different? I went over to her house to watch her bake the cookies and discovered that she would put two cookie trays, side by side – wedged in really, on a rack. The air couldn’t flow; the bottoms of the cookies burned.

I have been a great proponent, ever since, for baking two trays of cookies on two separate racks and switching them, top to bottom, bottom to top half way through baking to assure even baking, so the hot air circulates. And when I am baking and time is not an issue, I bake one tray of cookies at a time. I have a very old stove so I pamper it a lot.

But “Wok Presence” can affect us in many other different ways. For instance – a girlfriend of mine says my ranch dressing tastes better than hers. I discovered she uses Kraft Miracle Whip salad dressing. I use Best Foods Mayonnaise (Hellman’s if you are East of the Mississippi). Another time I discovered that a friend used a Polish Kolbasz for the Hungarian Layered potato recipe. You really need Hungarian Kolbasz to make an authentic Hungarian Layered potato casserole. That’s not to say that your dish won’t taste good. It just won’t taste AS good. It’s like – the difference you will get if you use margarine instead of real butter in a recipe. It will be ok. It just won’t be great.

Wok presence can be affected by the type of baking pans you use and the length of time something, such as a drop cookie, remains in the oven. I had this girlfriend at work who made such wonderful chocolate chip cookies. I asked her what the secret was. She replied that she under- baked the cookies; she would take them out of the oven a few minutes early and let them stand on the cookie sheet on a counter until they were cool enough to remove.
Such a small change but it made the difference between soft and chewy – and crisp.

I adopted her under baking rule with most butter cut out cookies that I make – when they are brown around the edges yet firm enough – I take them out and let them stand on the cookie sheets for a while before transferring to wire racks to finish cooling. And cookie sheets! The kind of cookie sheets you use can make all the difference in the world with your finished product. Now I replace cookie sheets every few years – and I use parchment paper on all of them, all of the time. It works better than the aluminum foil I used on the cookie sheets for years.

The more I think about this – the more certain I am that someone else, a famous cookbook author (and I am still leaning heavily towards Elizabeth David) said that the FRENCH have a name for it, those subtle differences that take place when two chefs – cook the same recipe, with the same ingredients – but each will turn out differently. There is a NAME for this and I am going crazy trying to pin it down.

My curiosity was piqued when someone sent me a food section from the San Jose Mercury News, published in September, 1994. The story was written by Kathie Jenkins of the Los Angeles Times, whose name I recognized. Jenkins opens the article, titled “IT’S NOT YOU, IT’S THE RECIPE” by relating the story of a lady whose hobby is trying recipes until she finds the perfect one. In her quest for the perfect crab cake, this cook tried many different versions including several provided by notable cookbook authors. “They were soggy little balls of yuck,” she reported. “Even my husband wouldn’t touch them, which is really amazing. They were too disgusting.”

All of this came as no surprise, Jenkins reports, “to the owner of the Cook’s Library, Los Angeles’ only all-cookbook shop. “More than half the books in my store have at least one recipe that doesn’t work” reported the storeowner.

And John Taylor, who owns a culinary bookstore in South Carolina and is the author of “Hoppin’ John’s Low Country Cooking” observed that, if he only sold books where the recipes worked, he wouldn’t have any books on his shelves.

The trouble is, writes Kathie Jenkins, that recipe testing is nearly always left to authors who must do it or pay for it. “For cookbook authors,” Jenkins notes, “slaving over a test kitchen stove can pay big dividends. The most popular personalities can earn hundreds of thousands of dollars. Added to this are revenues from product endorsements, consultant fees, sponsorships, television shows, and video cassettes.”
Or,” she continues, “in the case of style czarina Martha Stewart, your very own magazine. She started out as a Connecticut caterer, wrote the book, “Entertaining,” and parlayed that into a reported $2 million empire – plus a stream of royalties from television shows, videos, CDs and all those Martha Stewart products sold at Kmart…”

Jenkins notes that a famous name is no guarantee that the recipes work, however. Hoppin’ John Taylor commented, “Nobody in their right mind buys a Martha Stewart Book for a recipe. They buy them for her ideas and great pictures. If a recipe works in a Martha Stewart book, it’s somebody else’s.”
In defense of Martha Stewart and apologies to any Martha Stewart fans, a spokesperson for Martha Stewart commented, “That quote sounds like somebody in the cookbook business who wrote a book and it didn’t sell. I think those are just sour grapes.”

Whether it’s sour grapes or not, I’ll leave that for all of you to decide. What is relevant to the subject at hand is that cookbook publishers have no test kitchens. Most newspapers don’t either and consequently, they can’t test every recipe they print from a cookbook. Most recipes are printed as they appear in cookbooks or from wire services. For what it’s worth, the Los Angeles Times does have a test kitchen and a staff to cook in it. All of the recipes in the “Best of the Best” cookbooks published by Quail Ridge Press are pre-tested. You can generally expect a well-prepared Junior League cookbook to have tested recipes and they will often tell you so in their book by thanking the committee of testers who worked on the recipes (sometimes testing recipes three or four times). Jenkins notes that, unlike newspapers, which can correct a recipe the following week, if necessary, cookbook publishers can’t correct even the mistakes they’ll admit to, short of a recall or waiting until the next printing. And while cookbook publishers claim to care about accuracy in recipes, Jenkins notes, most are unwilling to spend the money to make sure the recipes actually work. In a standard publishing contract, the responsibility of recipe testing is left up to the writers.

Added to the mistakes that may be made somewhere between the writing of the cookbook and its publication, there is another important element to all of this. It translates to the difference between the kitchen of the cookbook author and the kitchen of the person who purchased the cookbook.

Author Paul Reidinger has written, “But the curious truth about recipes is that they often produce dramatically different results in different hands in different kitchens. Many times over the years I’ve told interested parties how I roast my chickens and make my salsa, and I am always convinced that my methods are simple and bulletproof – until I am advised that somebody else used one of my recipes exactly and still ended up with a mess. These admonishments remind me that recipes are only partly science; following a recipe is not like solving a quadratic equation. There is play involved, wiggle room, variance, uncertainty, and the person in charge has to know how to adjust.”

It’s also fairly well known that famed cookbook author Elizabeth David disliked giving exact measurements in her recipes. John Thorne, editor of a cooking newsletter called Simple Cooking, in writing about Elizabeth David, commented, “This – although contemporary food writers (or at least their editors) consider it (i.e., David’s distaste for exact measurements) an inexplicable even reader-hostile failing – expresses a direct truth. The responsibility for a dish must finally lie not with the writer but with the cook. Too much instruction muddles the reality of his responsibility. Cookbooks cannot hold hands; their task is to make the reader think. In Elizabeth David’s books, reader and writer face this fact across the page….”

And, not to run this subject to the ground, there are so many variables when it comes to cooking. The cookbook author’s oven is probably not the same as yours (and do you even know if your oven temperature is completely accurate? Have you ever tested it with an oven thermometer?). Are you using the right size pan? You are probably not using the same kind of flour or baking powder as the cookbook author used. Most recipes don’t specifically state what brand of flour is used, and a lot of people are unaware that baking powder has a limited shelf life. The same goes for spices and herbs. A lot of people don’t know that herbs and spices should be stored in a cool place, away from the stove. I was horrified to see, in a nationally circulated, well- known magazine, the photograph of a kitchen with a spice rack built right over the stove. I wrote to them to complain – that’s the worst place to put a spice rack. They did not respond to my letter. If your herbs and spices have been languishing on a shelf near the stove for a year or two, chances are they’ll have very little potency. That could affect your recipe.

Recently, my granddaughter Savannah and I flew to Sioux Falls South Dakota where we spent a week visiting my son and his wife. One day I baked chocolate chip cookies for him. I used a Silpat sheet on the cookie sheet (at home I use parchment paper) and within a day they were rock-hard even though I under baked them. Another day I baked two cakes – one a chocolate cake, from a mix, in a Bundt pan. The other cake was an angel food cake in a new pan that did NOT come out of the Teflon coated pan easily. I covered my mistakes with chocolate glaze. I have no explanation for the difficulties I encountered using their kitchen—I would blame it on the stove but it’s a very expensive stove that they bought only a year ago. I don’t think Sioux Falls is at any elevation different from Ohio (correct me if I’m wrong). The chocolate cake did not rise as much as it should have. I felt like a failure even though I recognize that the problem was not having my own kitchen to bake in.

Consequently, the skill and expertise of the cook is an important factor to the outcome of recipes. And what do you blame it on if it’s a recipe you have been baking in your home for over forty years? I would undoubtedly be a disaster in one of those Pillsbury Bake-Off kitchens.

But, as Kathie Jenkins reported in her newspaper article, there are a lot of bad recipes that have appeared in cookbooks. The test crew at the Los Angeles Times did a lot of research on their own and discovered there were some real losers (including two lemon pies from Martha Stewart’s “Pies and Tarts” cookbook). Says Jenkins, “Many of the reportedly faulty recipes not only worked but tasted wonderful. One award-winning cookbook author griped that he could never get Rose Levy Beranbaum’s genoise to work. We did. Another complained of far too much chile oil in the spicy soba noodles in Mary Sue Milliken and Susan Feniger’s ‘City Cuisine’. The noodles were delicious. And Marion Cunningham’s gingerbread did not run all over the oven the way one authority claimed it would.”

“So many things,” Jenkins notes, “affect how well a recipe works—equipment, weather, ingredients, personal taste. So what’s a cookbook author to do? Vigilance and thorough working knowledge of one’s recipes are probably the best insurance..”

Jenkins comment on weather struck a chord. When we lived in Florida for three years, I discovered that some of my favorite recipes were simply impossible to make. The Stained Glass Window cookies simply dripped all the “stained glass” after a day or two and when I couldn’t get melted sugar to set up for the kids’ graham cracker houses, I put them into the oven thinking they would dry out. I set the oven on fire. You simply couldn’t make any kind of meringue cookie, due to the humidity–and I discovered that the beet sugar in Florida was much grainier than the Hawaiian sugar cane sugar we were so accustomed to using. For about two years, I had a girlfriend shipping me bags of C&H sugar from California. (This is probably not a major problem for someone who has central air conditioning in their home but that was a luxury we didn’t have, at the time. I was so happy when we moved back to
California where—despite the intense heat of summers—we seldom have humidity to deal with.

“Good cooking”, wrote Yuan Mei, “does not depend on whether the dish is large or small, expensive or economical. If one has the art, then a piece of celery or salted cabbage can be made into a marvelous delicacy whereas if one has not the art, not all the greatest delicate rarities of land, sea or sky are of any avail.”

Since wok presence is boiled down to leaving your thumbprint – it seems logical to share a thumbprint cookie recipe with you:

Cranberry thumbprints (From the LA TIMES COOKIE CONTEST)

Total time: 1½ hours, plus cooling and chilling times

Servings: Makes about 6 dozen cookies.

Note: Adapted from a recipe by Kim Gerber.

Cranberry jam

1/4 cup plus 2 tablespoons water, divided

1/3 cup sugar

1/2 teaspoon orange zest

1 (10-ounce) package frozen cranberries

1 (1-inch) piece cinnamon stick

2 tablespoons corn starch

1. In a medium saucepan, whisk together one-fourth cup of water, the sugar and orange zest. Stir in the cranberries and cinnamon stick and bring to a low boil over medium heat. Reduce the heat to medium-low and continue to cook for 10 minutes, stirring occasionally.

2. In a small bowl, whisk together the remaining 2 tablespoons of water with the cornstarch to form a slurry. Thoroughly stir the slurry in with the cranberry mixture and continue to cook for about 30 seconds, stirring constantly, to thicken. Remove from heat and set aside to cool. This makes a scant 1½ cups jam, more than is needed for the remainder of the recipe. The jam will keep, covered and refrigerated, for up to 2 weeks.

Cookies and assembly

2 cups whole-wheat pastry flour

1 cup all-purpose flour

2 tablespoons ground flax meal
1/2 teaspoon sea salt

1 cup (2 sticks) unsalted butter, softened
1 egg

1 teaspoon orange zest

1 tablespoon lemon juice

1/2 cup coarse raw sugar (for rolling)

About 3/4 cup cranberry jam

Powdered sugar for dusting (optional)

1. In a medium bowl, whisk together the whole-wheat pastry flour and the all-purpose flour, along with the flax meal and salt.

2. In the bowl of a stand mixer using the paddle attachment, or in a large bowl using a hand mixer, beat together the butter and sugar until light and fluffy. Beat in the egg, then the orange zest and juice. Reduce the speed of the mixer and slowly add the flour mixture until thoroughly combined to form a dough.

3. Roll about 1½ teaspoons of dough into balls. Roll each ball in the raw sugar, then place on parchment-lined baking sheets, spacing about 2½ inches apart. Press an indentation into the center of each ball using your thumb or finger.

4. Refrigerate the sheets until the dough is hardened, 20 to 30 minutes. Meanwhile, heat the oven to 350 degrees.

5. Bake each sheet of cookies for 7 minutes. Remove each sheet, and quickly re-press the indentation in the center of each cookie using the handle of a wooden spoon. Continue baking the cookies until set and golden, about 10 minutes. Remove from heat and cool on wire racks.

6. To assemble the cookies, place a small dollop (about one-half teaspoon) of the jam in the indentation of each cookie. Sprinkle powdered sugar over the cookies, if desired, before serving.

Each of 6 dozen cookies: 62 calories; 1 gram protein; 9 grams carbohydrates; 1 gram fiber; 3 grams fat; 2 grams saturated fat; 9 mg cholesterol; 5 grams sugar; 13 mg sodium.

Happy Cooking & Happy cookbook collecting! – Sandy

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