Monthly Archives: January 2011

MORE COMFORT FOODS

This wasn’t something I really thought of as a comfort food until Bob asked me if I could make up a batch of “those cinnamon rolls”. He wasn’t able to enjoy any of them when I made up several pans of cinnamon rolls for Christmas—but his health is improving a bit and he is making tentative baby steps towards eating real food again.

And here’s how I rediscovered this recipe for cinnamon rolls – I wanted to make up a pan of them for his son Robert and daughter in law, Dee, when they paid us a visit in December. Truthfully, I have been making cinnamon rolls with that frozen Bridgeford bread dough for about a decade or longer. It was a lot easier than making cinnamon rolls from scratch. But we were out of the frozen bread dough and I didn’t feel like making a trip to the supermarket. So I found my recipe for “those” cinnamon rolls and made up a batch and they were a huge hit. Last time I made them I had Bob get out the Kitchen Aide mixer which has a dough hook – and voila! It streamlines the recipe even more. These are SO good:

COOL RISE SWEET DOUGH
5-6 cups all purpose flour
2 packages dry yeast
½ cup sugar
1 ½ tsp salt
½ cup (1 stick) butter, softened
1 ½ cups hot tap water
2 large eggs at room temperature

Mix together 2 cups of flour, the dry yeast, sugar and salt; stir. Add softened butter and hot water and beat 2 minutes at medium speed. Then add the eggs, continue beating, scrape bowl often…and add enough flour to make a soft dough. Shape into a ball; knead 5-10 minutes (you can do something else if you have a dough hook! I wash up the dishes) Then cover the dough and let it rest for 20 minutes (I let it rest in the mixing bowl). After 20 minutes, punch down and roll into a rectangle. Spread with a little melted butter; sprinkled with cinnamon sugar and (if you like) raisins or chopped nuts. Roll up lengthwise and cut into 1” rolls.

The original recipe says to place them on a cookie sheet, close together. I use a very old favorite yellow baking pan that I spray with pam. Cover with plastic wrap and refrigerate overnight. Next morning, let the pan come to room temperature and if it’s in a warm place, they will rise some more. Bake at 350 about 30 minutes. Drizzle with glaze if you like glaze on them (we do!). You can make a simple glaze with powdered sugar and water. I am partial to a glaze made with melted butter, powdered sugar and some water – and a little almond extract for extra flavor.

You can use this dough to make other things but we are very partial to cinnamon rolls. If you are feeding a bunch, they could be made smaller (I make very big cinnamon rolls!) . Thanks to niece Stephanie for requesting this.
**
We’ve been enjoying a lot of homemade tapioca, chocolate pudding – and (my favorite) flan. Flan, you may or may not know, can be made all in one dish, such as a deep dish pie baking dish – or if you don’t mind taking the time, you can make it in individual baking dishes. I have found SO many recipes for flan—but will only share with you what I have already tried and know that it works well. Flan, girlfriends, is a kind of custard. Most flan has a coating of carmelized sugar that is really easy to make but keep the kids away from the stove when you are doing this. Melted sugar is very hot and can easily burn. I divide the melted sugar among 5 or 6 little glass Pyrex baking dishes and let it cool. Meantime you make the flan itself, then pour it into the cups – and place them into a large pan of hot water to bake inside the oven. Well, another reason I found for using the small Pyrex dishes, I couldn’t find a baking pan large enough to hold any of my deep dish pie baking dishes.

To make a simple flan, you will need

1 large can evaporated milk
1 can sweetened condensed milk
4 large eggs
1 cup sugar
1 tsp vanilla extract

Carmelize* (melt) the cup of sugar in a pan (it will take about 10 minutes) and pour into the bottom of a Pyrex dish or 5 or 6 small Pyrex custard dishes. Mix remaining ingredients together and pour into the custard dishes over the carmelized sugar. In preheated oven cook the dessert about 35 minutes in a pan of water, until a toothpick inserted into the flan comes out clean. Let cool, then refrigerate. Well, this last part took a little learning. Loosen the chilled custard with a sharp knife. Then turn the custard dish over on a saucer and run some hot water over it briefly, to get the custard to plop out. It’s a beautiful dessert and oh-so-delicious. Probably not very low in calories.
I overbaked the first batch of flan that I made; keep an eye on it and if it looks baked, check to see if it’s done. I think the directions were based originally on flan being made in a large pie dish. The small custard dishes will cook a lot faster. (We ate the overbaked flan anyway).

*Carmelized sugar – is simply melted granulated sugar. If you cook it–I prefer a cast iron skillet but I dont know how many people still cook with these–until the sugar melts, it will turn a beautiful brown. Just be careful with it as melted sugar REALLY BURNS.

Happy Cooking!
Sandy

INTRODUCING CEIL DYER

Ceil Dyer is a native of Houston Texas. She is a home economist with a B.S. degree from Louisiana State. Her formative years were spent in the bayou country of Louisiana, where, she said, the art of living was esteemed, dining was a function and cooking was a pleasure, never a chore.

Ceil Dyer began her career as a food publicist for wine and food companies both here and in Europe. She was a food columnist for the JOURNAL-AMERICAN. Later, she wrote a syndicated newspaper column, “THE INSTANT GOURMET”, the first of its kind to combine quick cooking with gourmet-style food. Her book “WOK COOKERY” was another sensational first; in this best seller, she was the first to use a wok for both Occidental as well as Oriental recipes. “WOK COOKERY” has sold over 1.5 million copies.

Ceil Dyer is the author of more than 30 cookbooks. (My list is presently up to 31) and since biographical information has been somewhat difficult to come by, we’ll focus, this time, on the books written by her and see what we can be learned about the author from her books.

You may know her best from her book, “BEST RECIPES FROM THE BACKS OF BOXES, BOTTLES, CANS, AND JARS” – which was, I believe, the first of its kind in this genre (there have been a number of copycats). “BEST RECIPES..” was a huge success and probably had a lot of publishers scratching their heads and wondering why no one else had thought to do this before!

‘This is in essence your book,” Ceil explains in the introduction. “Or, to put it more accurately, the cookbook you would have undoubtedly compiled if only you had time for the project. For here are the recipes you meant to save from that jar, can or box top, recipes you and your friends have asked for, a good number your mother’s generation requested, and even a few of your grandmother’s choices. Recipes you meant to save but didn’t, those from magazine ads you may have torn out intending to file away someday, but that someday never came. In short, here is the cookbook you have always wanted: a treasury of the very best efforts of America’s food producers…” I could readily relate—recipes on the back of Hershey’s unsweetened cocoa, Calumet baking powder, the box of cornmeal – may have been among the first recipes I tried making, when I was a child. Along with whatever I found in Ida Bailey Allen’s Service cookbook!

Included in “Best Recipes…” are the Philadelphia Cream Cheese Party Cheese Ball, Chippy Cheese Ball from Frito-lay, Guacamole with Green chili Peppers, from the Avocado Advisory Board, (very similar to how I make my guacamole, for those who want to know), an assortment of Lipton California Dips (going strong since 1954), West Coast Broiled Flank Steak (made with fresh lemon juice), Horseradish Dressing (thanks to Hellman’s (or Best Foods) mayonnaise, Spanish Pot Roast (from Kraft—it uses a bottle of Kraft Catalina French Dressing and sounds worth rediscovering), Campbell’s Best Ever Meat Loaf (a recipe from their 1916 cookbook “Help for the Hostess”!) and oh, so many more! As I scan the pages, I realize that many of my favorites are in “BEST RECIPES…” and they are all worthy of rediscovery! “BEST RECIPES FROM THE BACKS OF BOXES, BOTTLES, CANS AND JARS” was published in 1979, over 30 years ago, and is still going strong. Another curious discovery – Ceil Dyer included a recipe in “BEST RECIPES…” for Hershey’s Red Velvet Cocoa Cake! I searched (diligently, I thought) some years ago for the origin of Red Velvet Cake, and never was able to pin it down. Ceil says that “In the thirties, money was scarce and luxuries were few. No wonder this economy-minded cake recipe from Hershey’s Cocoa was a favorite then…”

Also included with the cake recipes is Hellman’s (Best Foods) Chocolate Mayonnaise Cake and Orange Kiss-Me Cake, which was a Pillsbury Bake-Off Winner in 1950.

Skimming through “BEST RECIPE…” other favorite recipes include the original Caesar Salad (created at Caesar’s Bar and Grill in Tijuana, Mexico, just past San Diego, California), the original Vanilla “Philly” frosting, Heavenly Hash (remember that?), Magic Cookie Bars from Eagle Brand Condensed Milk (also known as Hello, Dolly’s and Seven Layer Bars), and Magic French Fudge (one of my favorite candy recipes). This is one of those little books that frequently turns up in used book stores and book sales – if you don’t have a copy, you’re missing out.

Ceil Dyer struck pay dirt again when she wrote “THE CARTER FAMILY FAVORITES COOKBOOK”, published by Delacorte Press in 1977.

There is something you may not know about me. I have been fascinated with anything related to the White House since I was in my early 20s, and have amassed a fairly respectable collection of what I loosely refer to as my “White House” collection. (This from someone who nearly flunked American History in high school!) These books take up most of one bookcase in my bedroom and include my “White House related” cookbooks, along with Congressional Club cookbooks (an incomplete collection; it isn’t all that easy finding all of them). All of my American presidents’ books fill a bookcase in our newly built garage library, and all of my first ladies’ biographies and autobiographies are on shelves behind the presidents.

At any rate, “THE CARTER FAMILY FAVORITES COOKBOOK” was one of those books I just had to have for my collection.

Ceil Dyer was a natural to write this particular book; she was a southern lady, herself, and lived not too very far from Plains, Georgia. She was able to talk with many members of the Carter family, some of whom helped her with the book.

Despite the fact that Jimmy Carter was the 39th president of the United States, the Carters returned to their home in Plains, Georgia at the end of his presidency. Jimmy Carter became involved in diplomatic ventures and he and his wife, Rosalynn both became active in projects such as Habitat for Humanity. To date, according to Google, former President Carter has written 37 books, including “AN HOUR BEFORE DAYLIGHT/Memories of a Rural Boyhood”, published in 2001. He and his wife Rosalynn co-authored a book in 1987, titled “Everything to Gain: Making the Most of the Rest of your Life”. Rosalynn Carter hasn’t been a slouch, either – shortly after they returned to their hometown, she wrote “FIRST LADY FROM PLAINS”, published in 1984. The reason I mention all of this is simply that, there probably hasn’t been another president in my lifetime who was more “a president of the people” than Jimmy Carter. It doesn’t surprise me in the least that they opened their hearts and homes to Ceil Dyer, sharing family recipes.

To learn what Jimmy Carter’s favorite foods were, Ceil had to go to Rosalynn Carter. The former president is one of those people, like saying goes, who eats to live. (whereas some of us live to eat). The 39th President does like fresh vegetables, his first choice being eggplant prepared just about any way from Southern fried to casseroles. He also likes butternut squash, butter beans, vine-ripe tomatoes (ummm, me too) and fresh corn.

“THE CARTER FAMILY FAVORITES COOKBOOK” is replete with recipes, including a Christmas Day menu.

In 1972, Ceil Dyer published what I consider to be her finest cookbook with a historical twist. Weathervane Books published “THE NEWPORT COOKBOOK.”

Ceil Dyer worked with the Preservation Society of Newport County in researching and writing “THE NEWPORT COOKBOOK” which is a history lesson in Rhode Island – with recipes. It begins with its famous founder, Roger Williams who was welcomed by the Indians and invited to a meal of boiled fish and succotash. Ever since, Ceil assures us, boiled fish of some kind, often mackerel or herring—along with that classic mixture of corn and beans, — has been a favorite Rhode Island menu.

“THE NEWPORT COOKBOOK” is replete with recipes, old photographs, drawings, and history, capturing Newport from its colonial days and its life as a great seaport, to its glamorous age as the “Queen of American Resorts”. This, too, is a fun cookbook to read!

However, I am inclined to think that it has been Ceil Dyer’s “workhorse” cookbooks that have gained the greatest respect for decades. Read Books such as “EATING WELL FOR NEXT TO NOTHING”, “THE QUICK GOURMET”, “CHICKEN COOKERY”, “THE PLAN-AHEAD COOKBOOK” “THE PERFECT DINNER PARTY COOKBOOK” or “THE AFTER WORK ENTERTAINING COOKBOOK” and you will surely see what I mean. So many of these books were written and published over 30 years ago, but they have all stood the test of time and would be valuable additions to anyone’s cookbook collection. The recipes are well-chosen with what I think of as “basic” or “scratch” ingredients. You won’t find a can of condensed soup or a box mix. This is not intended as a criticism of cookbooks or recipes that do call for a can of condensed soup or a box mix. What I merely want to point out, is that convenience foods come and go, and what is available on your supermarket shelves today might not be there tomorrow (or ten years down the road). So many convenience products of 25-30 years ago simply aren’t available anymore. That’s the importance of cookbooks that use all “scratch” ingredients, because the basics – onion, spices, sugar, flour, cornstarch and so on, will always be with us. And you may discover, as I have recently, that learning to make some things from scratch is infinitely tastier than a frozen or packaged mix. I have been making a strawberry sauce and a decadent chocolate pudding “from scratch” and the lesson that I have learned is simply this; nothing can really replace “homemade”.

One of Ceil Dyer’s best books on this very subject is “THE BACK TO COOKING COOKBOOK” which explains how to save time and money by not using chemical-laden, prepared, canned, precooked, dehydrated, convenience foods. In the very beginning of “THE BACK TO COOKING COOKBOOK” Ceil Dyer states: “The French maintain that American cuisine is based on canned soup.” She goes on to say that it’s fast becoming a fact—and this was written in 1970. Over 40 years ago! “Shopping carts,” Ceil laments, “are filled for the most part with cake mixes, icing mixes, bottled salad dressing, packaged cookies, ‘instant’ rice, no-cook puddings, canned sauces and soups, soups, and more soups. These last to be used as base for every conceivable dish….” Ceil goes on to explain that home cooked meals made from honest ingredients are far less expensive, taste better and are more nutritious than those made from ersatz concoctions. (This reminds me, a while back, my sister called to ask me how to make Taco seasoning. She had forgotten to buy “Taco seasoning” at the store. I had a recipe, read it off to her over the telephone – and she was pleasantly surprised. “It was just as good as,” she exclaimed. One weekend I was at my sister’s and we did a little grocery shopping. I noticed that taco seasoning was on sale and pointed it out. My sister replied, “I make my own from scratch all the time now with that recipe you gave to me.”

In the Introduction to “EATING WELL FOR NEXT TO NOTHING”, Ceil Dyer explains, “the first principle of eating well for less is to cook what’s in season, plentiful and therefore cheaper, and to cook what’s on hand…” What bemuses me, most, reading those lines is that I have read them, repeatedly, being quoted from various famous chefs throughout the country. “Learn to shop,” Ceil advises, “as the Europeans do. First shop your own kitchen—what’s on hand, what’s left over that might be used; then and only then do your shopping, not with a preconceived menu but first to see what’s best, freshest and cheapest in the market place.”

Ceil Dyer’s cookbooks will make you the Queen of Homemade.

Cookbooks by Ceil Dyer:

• HAMBURGERS PLAIN AND FANCY, GROSSET & DUNLAP, 1968
• THE PLAN AHEAD COOKBOOK , THE MACMILLAN COMPANY, 1969
• THE BACK TO COOKING COOKBOOK PRICE/STERN/SLOAN 1970
• THE QUICK GOURMET COOKBOOK HAWTHORN BOOKS 1972
• THE NEWPORT COOKBOOK, WEATHERVANE BOOKS, 1972
• THE PERFECT DINNER PARTY COOKBOOK, DAVID MCKAY COMPANY, 1974
• THE AFTER WORK ENTERTAINING COOKBOOK, DAVID MCKAY COMPANY, 1976
• THE CHOPPED, MINCED, & GROUND MEAT COOKBOOK ARBOR HOUSE, 1976
• FREEZER TO OVEN TO TABLE, 1976
• THE CARTER FAMILY FAVORITES COOKBOOK, DELACORTE PRESS, 1977
• EAT TO LOSE COOKBOOK, 1977
• EATING WELL FOR NEXT TO NOTHING, MASON CHARTER PUBLISHERS, 1977
• CEIL DYER’S COFFEE COOKERY, HP BOOKS, 1978
• BEST RECIPES FROM THE BACKS OF BOXES, BOTTLES, CANS AND JARS, MCGRW-HILL BOOK COMPANY, 1979
• THE KITCHEN REVOLUTION COOKBOOK, MACMILLAN PUBLISHING CO., 1980
• EVEN MORE RECIPES FROM THE BACKS OF BOXES, BOTTLS, CANS & JARS
• WOK COOKERY, HP BOOKS, 1983
• CHICKEN COOKERY, HP Books, 1983
• GREAT DESSERTS, GALAHAD BOOKS, 1986
• CEIL DYER’S INSTANT GOURMET, HP BOOKS, 1987

I don’t have publishing dates for the following:

• HOW TO MAKE BEAUTIFUL FOOD IN A MOLD
• ALL AROUND THE TOWN: A NEW YORK COOKBOOK, WITH HUNDREDS OF RECIPES FROM NEW YORK’S FINEST RESTAURANTS (with ROSAIND COLE
• THE BREAKFAST COOKBOOK
• THE FREEZER COOKBOOK
• THE QUICK AND EASY ELECTRIC SKILLET COOKBOK
• THE SWEET TASTE OF SUCCESS
• PIZZA COOKERY
• MORE WOK COOKERY
• SLIM WOK COOKERY
• THE DICTIONARY OF LEFTOVERS
• GOURMET GIFTS FROM YOUR KITCHEN

Happy Cooking & Happy cookbook reading!

-Sandra Lee Smith

APRONS!

A few years ago, a girlfriend and I were in an antique store when I came across a “vintage” bib apron, perhaps 1940s, – and fell in love.

“Could you make something like this for me?” I asked my girlfriend, who sews (I don’t sew. I cook. We can’t all do everything!)

She said she could, and she did–and now I have three of these big aprons, with big roomy pockets and I am seldom without one.

I found myself re-discovering aprons and wondering why, when you watch the chefs on the Food Network – none of them ever wears an apron! (I have ruined many a blouse or dress from cooking sans an apron–but these days you’ll seldom find me without one.

The aprons of my childhood bring to mind the voluminous ones worn by my Grandma Schmidt, who was as round as she was tall. Her dresses reached her ankles and her aprons were equally long and wide with huge pockets. I discovered, a few years ago, how handy aprons with pockets are when you go out to check the tomatoes in the garden and find yourself with handfuls of ripe tomatoes and no basket to put them into. The apron pockets work well. I also fill the pockets with clothespins when I am hanging linens or sheets on the clothesline. (Yes, some of us do still hang things on the line-but that’s another story).

Years ago, people didn’t have wardrobes the size of ours, today–and aprons, which could be easily washed, protected good dresses which might not have all been washable (never mind that everything had to be ironed too–perma-press hadn’t been invented yet) . I think the only times I ever saw Grandma without an apron were when she was going downtown (plus hat, dressy shoes, her handbag, and stockings) or to church. My mother also wore aprons but most of the ones in which she was photographed, were the half-size aprons. I, myself, need a bib apron because the spills and splashes usually land somewhere on my chest.

Aprons have a respectably long history, too – the earliest mention of an apron is in the biblical story of the Garden of Eden when Adam and Eve discovered they were naked and fashioned aprons from fig leaves. In the middle ages aprons became especially well known, as European craftsmen wore aprons as part of their everyday garments–old paintings of blacksmiths invariably picture them wearing a big old leather apron of some kind. I remember, as a child, the big white (well, originally it was white) aprons worn by the butcher in the butcher stores where my grandma went to buy a chicken or a cut of beef. There are also aprons used by carpenters which have many pockets to hold necessary tools. (hmmm, I think I would like to have one like that).

The apron worn in the kitchen was a fixture for more than a century, until the late 1970s–when it seems to have disappeared from our culinary landscape. Perhaps it has something to do with the perfect housewife image portrayed by the fifties–you know, “Father knows Best” and mother is always pictured wearing an apron with a wooden spatula in one hand, standing over the stove (Shades of Ozzie and Harriet?) Then women became liberated and burned not only their bras but also their aprons.

I always had a few aprons but they had been relegated to a seldom used linen drawer. Now, I have aprons within easy reach on several hangers on doors in the kitchen and I am not in the least embarrassed to be seen wearing one. (Some of them are really quite stylish, I think – and I love the pockets. Along with clothespins and Kleenex, I am usually carrying around my cell phone and digital camera).

For Christmas, my penpal/friend/and computer guru, Wendy, sent me two wonderful very retro looking aprons. Then my penpal Bev brought me a neat apron that she bought on a recent trip to Alaska – it has chocolate moose all over the print – and then her daughter brought me a new very-valentine-ish apron when she visited. Four new aprons in one year…can life get any better than this?

And not long ago I discovered a really great website dedicated to aprons after it was written about in the Los Angeles Times. Everything old is new again! I love it.

I am still mystified, however – how do all those people on the Food Network manage to cook entire meals (without wearing an apron) and without getting any of it on themselves?

For a couple of good apron websites:

http://www.flirtyaprons.com
http://www.jessiesteele.com
http://www.zazzle.com

And, if you Google “aprons” you will find a whole lot more!

Happy cooking!

Sandy

SEARCHING FOR NIKA HAZELTON – THE NO-NONSENSE COOK

January 23, 2011

One of the first cookbooks that I read by Nika Hazelton was something titled, “I COOK AS I PLEASE”, published in 1974. It was one of the first cookbooks that I found in which the author had skillfully woven memoir with recipes—and I was charmed. I was also hooked and wanted to learn more about Nika Hazelton. I began searching for her cookbooks.

Researching a cookbook author is not always an easy task—years ago, very little biographical information about cookbook authors was provided by the publishers. Today, any well-known cookbook author (such as James Beard, Elizabeth David, M.F.K. Fisher, to name a few), has biographies written about them and the publisher usually provides a fairly substantial background bio on the book jacket. This wasn’t the case with cookbooks published decades ago. But when the collection of recipes is also a memoir, much can be gleaned from within the pages of the book, and not just from the dust jacket.

Let’s start with what we do know.

Nika Hazelton was born in Rome, (German father, Roman mother), grew up in Switzerland, and received her schooling in England. Nika studied under Harold Laski at the London School of Economics. She spent her early years traveling to the capitals of Europe with her father, who was a German diplomat.

In 1935, Nika made her home in the United States. She was considered an expert in the food of many countries. Nika began writing cookbooks during World War II, and at least seven of those books were on European cuisine. In addition to writing cookbooks, Nika was editor of the Woman’s Day Encyclopedia of Food and she wrote for virtually every major magazine, including The New Yorker, Family Circle, Vogue and Virginia Quarterly. . She also had a monthly column in The National Review and was a regular contributor to The New York Times. In addition, Nika was an editorial writer for Harper’s Bazaar, covering food stories. (With all the writing that she did for various magazines, it’s a wonder she found time to write cookbooks as well!).

One of her earliest books, “THE ART OF CHEESE COOKERY” was first published in 1949 by Doubleday & Company under the name of Nika Standen. Other books were published under the name of Nika Standen Hazelton and, later, just Nika Hazelton.

A clue to the type of cook she was can be found in the Introduction to “FROM NIKA HAZELTON’S KITCHEN”, published in 1985. “FROM NIKA HAZELTON’S KITCHEN” was not intended to be a cookbook for beginners. She lets you know from the onset that she assumes, if you have bought and are reading this book, you know something about cooking. She also explains that she likes simple foods made with the best ingredients available. Nika Hazelton was definitely a no-nonsense type of cook!

She used only freshly grated Parmesan cheese and the finest Tuscan olive oil (although she admitted to frying with peanut oil). She preferred butter over margarine for the simple reason that it tasted better. Nika never worried about cholesterol since she didn’t like fatty or greasy foods anyway and she removed all fat from meats and poultry (except when roasting a chicken!).

Nika said that she used few herbs and spices in her cooking because she disliked the flavor of too many herbs in one dish. “To my taste,” she wrote, I prefer to taste either basil or thyme or marjoram or sage or whatever in one dish rather than a combination of herbs.” However, she admitted to being less rigid with combinations of spices.

Nika wrote that she made cakes the old fashioned way, from scratch. She described her kitchen as being furnished with basic equipment, which included a KitchenAid mixer to mix, a Cuisinart to mince, a rotary peeler to peel and a small mandolin to cut transparent slices of potatoes and cucumbers. She writes, “My kitchen also sports a couple of balloon whisks, wooden spoons, good knives, and a very sharp pair of scissors, as well as the standard paraphernalia of measuring cups, mixing bowls, measuring spoons and so forth…”

She explains that she lived in the city and didn’t have much kitchen space, so she kept only bare essentials on hand in the pantry and said that she used very few canned foods (tomatoes, chickpeas and beans). Simplicity was Nika’s keyword throughout this introduction and to explain this philosophy, she said that she liked to keep things simple, possibly because throughout her life she had to cook for a family as well as professionally. Consequently, Nika adopted (to quote her), a “somewhat dispassionate” view of cooking—which may be a far cry from the themes of most professional cooks and cookbook authors. Generally, we expect a high level of enthusiasm from our cookbook authors! On the other hand, “FROM NIKA HAZELTON’S KITCHEN” was published in 1985 and the dear lady had been cooking and writing by this time for quite a few decades. Although I still haven’t determined the date of her birth we do know that she came to the United States in 1935 and wrote a number of cookbooks during World War II.

At the time of writing “I COOK AS I PLEASE”, published in 1974, the author was living on Riverside Drive in New York City, with her husband, with a view that looked over the green trees of Riverside Park and the Hudson River. This kitchen is also described as small and utilitarian. The author says, “It is by no means a display kitchen where I celebrate with imported cookware or run a cooking school. Nor,” she adds, “is it a family kitchen where the folks gather for warmhearted meals. Family meals with children,” she admonishes, “are horrible, yet children have to eat with their betters, as parents were called in a less permissive age, to learn at least a modicum of table manners…”

Nika thought teen-age meals no less awful, “Since fights lie beneath the surface. My children have known all this from early childhood, and even now when we have lived through a family meal, we all say: ‘Thank God, all has gone off well.”

Her kitchen in “I COOK AS I PLEASE” is described as having black Formica counters, a butcher block top and pine cabinets that got waxed three times a year, “and that,” she proclaims, “is it, even in dirty New York.” She describes the contents of cabinets and drawers in this kitchen, with “ironed towels done by the laundry because ironed kitchen towels are nice and life is too short to iron them…” This drawer also contained her aprons because it had been a hard and fast rule in her mother’s kitchen to wear an apron. Another drawer is described as holding “the flotsam and jetsam of kitchen life: Hungarian pastry brushes made from goose feathers, frames for making chocolate leaves, rubber bands, candles for blackouts, bottle tops with artistic design on top given to me by a five-year-old child as a token of her affection, fondue forks, scallop shells, measuring tapes, and a collection of never-consulted food leaflets, including one on how to make cheese at home…”
(This, from a woman who wrote an entire cookbook about cheese!).

She didn’t have a dishwasher—this woman who had a laundry service to iron her dishtowels—and said she could live without one since she didn’t find dishwashing nasty, “whereas,” Nika proclaims, “I find making beds nasty…”

“As I wash up, under running hot water” she explains, “I muse about any number of subjects. Dishwashing is much better for musing than lying in one’s bath or in bed….” (To which I have to agree. But I have to say, I don’t iron dishtowels, nor are they done at a laundry!)

Nika confessed that cookbooks were another one of the subjects she mused about as she washed dishes, and she writes an entire chapter about cookbooks in “I Cook As I Please”—she comments, quite rightly I think, that “cookbooks are mostly bought as escape literature, not to cook from…” Well, I don’t agree with Nika last sentence but perhaps that is how she felt about too many cookbooks in the 1970s. Of all the Hazelton cookbooks in my possession, “I COOK AS I PLEASE” remains my favorite.

Nika Standen Hazelton is the author (or co-author) of the following cookbooks:

• REMIISCENCE AND RAVIOLI, 1946, William Morrow & Co.
• THE ART OF CHEESE COOKERY, (published under the name of Nika Standen) Doubleday & Company, 1949
• THE CONTINENTAL FLAVOR, 1961
• CLASSIC SCANDINAVIAN COOKING, 1965, 1987 Galahad Books
• THE ART OF SCANDINAVIAN COOKING, 1965
• THE SWISS COOKBOOK, 1967 Atheneum Publishers
• HOUSE OF INDIA COOKBOOK, 1967, co-authored with Syed Abdullah.
• HAMBURGER, 1972, SIMON & SHUSTER
• DINNER AT BUCKINGHAM PALACE, 1972, by Charles Oliver FORWARD by Nika Hazelton
• I COOK AS I PLEASE, 1974, Grosset & Dunlap
• UNABRIDGED VEGETABLE COOKBOOK 1976
• NIKA HAZELTON’S WAY WITH VEGETABLES, 1976 , republished 1995 by Castle Books
• AMERICAN HOME COOKING, 1980, Viking Press
• FAMILY CIRCLE RECIPES AMERICA LOVES BEST, 1982
• NIKA HAZELTON’S PASTA COOKBOOK, 1984, Ballantine Books
• FROM NIKA HAZELTON’S KITCHEN, 1985, Viking Press
• UPS AND DOWNS, MEMOIRS OF ANOTHER TIME, 1989, Harper & Row
• THE BELGIAN COOKBOOK
• EGGS!
• THE PICNIC BOOK
• STEWS!
• CHOCOLATE!
• THE BEST OF ITALIAN COOKING
• THE ART OF DANISH COOKING
• WHAT SHALL I COOK TODAY?
• THE COOKING OF GERMANY (Food of the World Series)
• RAGGEDY ANN AND ANDY’S COOKBOOK
• AMERICAN WINES
• THE REGIONAL ITALIAN KITCHEN
• LA CUISINE BY R. OLIVIER (translator and editor)
• THE RUSSIAN TEA ROOM COOKBOOK (co author Faith Stewart-Gordon)
• COOKIES AND BREADS; THE BAKER’S ART co-authored with Ilse Johnson and Ferdinand Boesch
• INGREDIENTS COOK’S* co-authored with Adrian Bailey and Philip Dowell (illustrator)

Like I have so many other times with other cookbook authors, I Googled Nika Standen Hazelton to see if I could find some biographical information. I did.

Nika Hazelton, Whose Cookbooks Influenced U.S. Tastes, Dies at 84
By MOLLY O’NEILL
Published: April 17, 1992
Nika Hazelton, whose cookbooks have been a mainstay of serious cooks for nearly half a century, died on Tuesday in Manhattan. She was 84 years old and lived in Manhattan.
She died of natural causes after a lingering illness, said her son, Dr. S. A. Standen, who lives in London.
Mrs. Hazelton, the daughter of a German diplomat, was born in Rome, attended school there, and studied at the London School of Economics. She began her career as a reporter in 1930, covering the League of Nations for the German Press Association and then moving on to freelance work.
After marrying and emigrating to the United States in 1940, she began writing cookbooks with recipes culled primarily from home cooks throughout Europe and South America.
She published 30 books and they reflected her firm, no-nonsense taste in food. “American Home Cooking” (Bobbs Merrill, 1967), “French Home Cooking” (Viking Penguin, 1979,) “International Cookbook” (Harper & Row, 1967) and “The Italian Cookbook (Henry Holt, 1979) remain standards.
She was also a frequent contributor to the major food magazines and for several decades wrote a column about food, wine and travel for The National Review.
As cooking became trendy and precious in the United States, she seemed to raise a speculative eyebrow. Facing a group of wine writers in New York several years ago, Mrs. Hazelton waved aside questions about white truffles and little-known family vineyards. “I’m here to show you a meal from Tuscany that has the virtue of not being too expensive and not taking much genius or fuss to prepare,” she informed her audience and proceeded to demonstrate the proper way to make escarole and rice soup.

Her first marriage ended in divorce in 1954. She married Harold Hazelton in 1956. He died in November.
Mrs. Hazelton is survived by two sons, Dr. Standen and J. O. Standen, a lawyer in San Francisco, and three grandchildren.

A memorial service will be held at 3 P.M. on April 28 at St. Agnes Church on East 43d Street in Manhattan.

Correction: April 18, 1992, Saturday An obituary yesterday about the cookbook author Nika Hazelton misstated the day of her death and the date of a memorial service. She died on Wednesday, and the service will be on April 27, at 3 P.M., at the Church of St. Agnes, 141 East 43d Street, in Manhattan
**

I have to tell you, I was bemused to read about her comment to the group of wine writers, as indicated above in her obituary. That is so Nika.

*The obituary credits Ms. Hazelton with writing 30 cookbooks. Possibly they weren’t including the cookbooks she co-authored.

–Happy Cooking & Happy Cookbook reading!
Sandra Lee Smith

COOKS, GLUTTONS & GOURMETS – IN SEARCH OF BETTY WASON

She first came to my attention with the acquisition of her book, “COOKS, GLUTTONS & GOURMETS,” published in 1962. I was writing “PEEK INTO THE PAST” at the time for the Cookbook Collectors Exchange.

“This is the first and only book,” claim Doubleday, the publishers, “which traces the history of cookery from the days of primitive man up to the present day of the Four Seasons Restaurant and gourmet supermarkets…”

Since I now have nearly two bookcases full of books on the history of food – I wondered – is it true? Was Betty Wason first to explore, in depth, this fascinating subject? I’ve been going through my collection, checking publication dates – and so far haven’t found any that precede 1962. Interesting!

“COOKS, GLUTTONS & GOURMETS” is packed with culinary history. It opens with a description of feasts in ancient Greece – inspired, no doubt, by Betty’s visit there during World War II. She covers the subject of cookery in the Far and Near East, all of Europe, and the New World. The last four chapters of this book are devoted to the United States—from Thomas Jefferson to the Harvey Girls and Betty Crocker. (It seems to me that almost all American food historians have had something to say about Betty Crocker!).

But “COOKS, GLUTTONS & GOURMETS” is only one of more than two dozen books written by Elizabeth Wason Hall, whose pen name was Betty Wason. Her writing versatility stretched from cookbooks to a book about the Greek resistance during World War II, to a book published in 1999 about macular degeneration. If my calculations are correct, Betty Wason has been publishing books for 56 years!

Betty Wason was born and grew up in Delphi, Indiana, in 1912 where she studied classical violin and painting. She eventually enrolled in Purdue University hoping to become a dress designer. Wason graduated from Purdue in 1933 with the Great Depression in full swing. Work was not easy to come by and she settled on a job selling yard goods in the basement of Ayres Department Store in Indianapolis. giving cooking lessons for a utility company, and then working as an itinerant cooking teacher throughout Kentucky towns. Later, her first experience broadcasting experience was gained conducting a radio program for women in Lexington, Kentucky. Eventually, she moved to New York, where she became an assistant food editor at McCall’s Magazine.

“I was young and wanted to see the world. I had no money, so I decided I would become a journalist,” she said in a 1997 interview

“Long before I was old enough to handle saucepans,” Betty writes in “COOKING WITHOUT CANS”, “I used to stand around in fascination watching Mother tossing up delectable dishes and begged to be allowed to try my hand at the game. My love of cooking is surpassed only by my love of eating. And so my quest became one of finding new and exotic blends of flavor, and on bright Sunday afternoons when other girls were probably playing with paper dolls, I plunged into old cook books and read of strange combinations of foods, and revelled (sic) in imagined taste thrills.”

Betty’s first trip to Europe was as a free-lance journalist with credentials from Transradio Press; her first connection with Columbia Broadcasting System, at the time of the Nazi invasion of Norway, was as its staff correspondent in Stockholm. Later, she became correspondent as well to NEWSWEEK.

Between trips to Europe, Betty joined the research staff of the New York Newspaper PM, which was then in organization, and she planned the paper’s food page. Returning to Europe in the winter of 1939, she abandoned cooking and recipes to cover a long series of War fronts, from Finland and Norway down to the Balkans. “Betty Wason first became known to many Americans as the CBS correspondent, who always managed to be on the spot when headlines were being made in World War II,” claims one of her publishers.

Between the summers of 1938 and 1941, Betty Wason covered virtually every country in Europe, managing to be on hand where ever major journalistic events “broke”: Czechoslovakia during the Munich crisis and after, Vienna for the first post Munich conference; Hungary during the occupation of Slovakia; Rumania at the time of Codreanu’s execution; Yugoslavia during its Orthodox Christmas celebrations; Rome during Chamberlain’s visit to Mussolini; Paris during the end of the Spanish Civil War; Italy during the early part of the Second World War…..and the list goes on and on. (from the dust jacket of “Miracle In Hellas”). Betty Wason was on her way to Norway after the Nazi invasion began. Her cross into Norway was anything but routine. She eluded border guards and hitched a ride in a truck across the mountainous terrain where she hid in the woods to wait out an air raid. She interviewed numerous wounded British soldiers and found out just how poorly the Allied defense had gone. She returned to Stockholm and her broadcast by hitching rides and walking. But none of that mattered to the bosses at CBS. Despite her daring hard work they still asked her to find a man to read her copy. She left Sweden in the spring of 1940 in search of the next big story, she soon ended up in Greece after short stops in the Balkans and Istanbul. With an expected Italian invasion of Greece on the horizon CBS again hired Wason. She also started stringing for Newsweek during this time. In October 1940 Italian forces began to move into Greece, a cable came from CBS: “Find male American broadcast 4U.” Though CBS saw her gender as an impediment Wason strove on. During her six months in Greece her voice on the radio, Phil Brown, a secretary at the American embassy, introduced each broadcast with, “This is Phil Brown in Athens, speaking for Betty Wason.” Wason remained in Athens through the winter of 1940 and refused to leave the next spring, April 1941, as German air attacks ramped up in Greece’s capital. When the Nazis took Athens, Wason was stuck in the city for several weeks. Though America still remained “neutral” in the war Wason was kept, along with several other reporters, by the Germans who refused to allow anyone to broadcast. Eventually Wason left Athens on a Lufthansa plane bound for Vienna. Also on the plane were Wes Gallagher of the Associated Press and George Weller of the Chicago Daily News. Once in Vienna the Gestapo detained the entire group under suspected espionage. Soon the male reporters were released but Wason was kept another week for, according to her, “reasons never divulged except that the police wanted to know more about me.” When a CBS executive intervened, the Gestapo released her. She had married a Mr. Hall by 1943. On her return to the United States, Wason was inundated with interview requests, lecture requests and press attention. She recalled, “Everyone made a fuss over me but CBS,” Wason wrote. “When I went to see (news director) Paul White, he dismissed me with, ‘You were never one of our regular news staff.’ Then what, I wondered, had I been doing for CBS all that time in Greece?”

Wason authored 24 books after leaving CBS, mostly about one of her long time favorite hobbies, cooking, though her most successful book was her 1942 story “Miracle in Hellas: The Greeks Fight On”. She wrote that the book “was a resounding success. But the tough struggle to make it as a woman correspondent, ending with the cruel rebuff by CBS, cooled my desire for more overseas war reporting.”

In 1998, at age 86, Wason wrote about macular degeneration, an affliction which stole most of her eyesight and rendered her legally blind. Macular Degeneration: Living Positively with Vision Loss was written, in part, with a grant from the Washington State Department of Services for the Blind.

In the Introduction to “COOKING WITHOUT CANS”, published by Smith & Durrell, Inc., in 1943, she explains, in part, “This recipe book has been prepared in the hope that it will inspire the artists in the kitchen to turn their skills to the creation of new and savory dishes, not only overriding the bugaboo of wartime shortages, but perhaps even paving the way for a new era in American cuisine.

Many of the recipes,” she continues, “listed in the pages which follow have been adopted from peasant dishes of various European countries—recipes learned during the course of travels during the years 1938-1941, in countries either on the precipice of war, or already plunged into conflict, where rationing was often far more severe than any this country has yet to suffer.

In occupied Greece, where I was forced to remain during the first two months of German occupation, we had to pound our own salt out of rock crystals, substitute grape dextrose for sugar (when we could get grape dextrose), dried chick peas for coffee, and a bricklike hunk of what tasted like gravy sawdust for bread. Our only fats were inferior olive oil, rationed to approximately eight ounces a month, and occasionally, white ‘sheep’s butter’ – mutton fat. There was virtually no meat. Yet we had meals, and some of them were surprisingly good….”

If the title, “COOKING WITHOUT CANS” piques your curiosity, it should be noted that the American food industry had worked diligently, prior to World War II, to convince American housewives that the easiest way to prepare anything began with opening up a can. You want soup “just like mama used to make?” open a can of condensed soup and add water—voila, ‘homemade’ soup. As a matter of fact, I think my own mother was one of those completely brainwashed by the food industry. The only fresh vegetables or fruit we ever had were potatoes, carrots, celery, and in the summertime, an occasional watermelon or cantaloupe. Everything else came out of a can. So, along came the War – and the tin used by the food industry for tin cans was, like almost everything else, needed for the War effort. Tin cans were melted down and cast into solid metal “pigs” for re-using in the war industry. (James Trager, author of “The Food Chronology” notes, in 1943, “U.S. housewives wash and flatten tins for recycling: one less tin can per week per family will save enough tin and steel to build 5,000 tanks or 38 Liberty Ships…”). On a personal level, I remember how we rinsed out the cans, removed the labels, opened both ends of the tin can, and then flattened it. It’s one of the very few things I actually do remember about the War years.

Consequently, canned goods were restricted, although home-canned fruits and vegetables were not. (During peak war years, an estimated 20 million Victory gardens were growing in the USA, producing over a third of the vegetables available in this country). For the duration of the War, American women would have to learn “COOKING WITHOUT CANS”, which was, I believe, Betty Wason’s first cookbook.

“DINNERS THAT WAIT”, published in 1954, may have been Betty Wason’s second cookbook. I happened to find a paperback copy of “DINNERS THAT WAIT” in a used book store some time ago. Not only was I delighted to find something else written by Ms. Wason – it only cost a dollar! This little book is aimed at “every hostess who feels that her guests, as well as her meal, should be enjoyed…” The solution, offered in “DINNERS THAT WAIT” was a collection of main dishes that were delay proof, that could be prepared hours or days in advance. Again, the author draws on her European exposure, offering recipes such as Moussaka, that she learned to make from Greek friends, Smorgasbord, and – everybody’s favorite, Kidneys with Mustard sauce. “It’s too bad,” notes the author, “kidneys are so little appreciated in this country. When properly prepared, they are superb, worthy of the most discriminating palate….”

One of the best features of this little book is that it provides step by step directions—literally—right down to Step 5: Set table. Put water and coffee in pot. Get dressed. This would be a great cookbook, even today, for young women who are unaccustomed to entertaining. (I think I will try Intoxicated Pork or the Chicken Tetrazzini the next time it’s my turn to host a dinner party at my house).

In 1963, Doubleday & Company would publish “THE ART OF SPANISH COOKING” by Betty Wason . She notes, “I thought I knew so much about Spain that I could, if I wished, write a book about Spanish cooking, based simply on the many Spanish cookbooks in my own library. Fortunately, a little nagging worry beset me. I should really visit Spain before writing about the country. So I did. I made a speedy eight hour flight to Madrid on a TWA jet, and I traveled over as much of the country as I could cover in a month’s time, eating, eating, eating, wherever I went….” Betty’s nine-year-old daughter, Ellen, accompanied her mother to Spain, offering her candid view of Spanish food. The Introduction to “THE ART OF SPANISH COOKING” provides a capsulized history of the history of Spanish food that I think you would find interesting. I was particularly intrigued with what she had to say about olives, olive oil, and sherry.

“Sherry,” writes Betty, “is a mysterious and unique wine. Its history goes back to antiquity. The Phoenicians brought the first grapevines to the area where all the world’s supply of true sherry is still produced, and they named the city Xera…Whether the wine produced in Roman times was the same as the sherry of today no one knows; however, after the vineyards had been destroyed by the phylloxera disease in 1894, new disease resistant vines were brought from the United States to be planted in Jerez, and lo and behold the wine was the same as ever….”

The entire book is written in this style, recipes and history stirred together to create a banquet of Spanish cooking. It is exactly the kind of book that cookbook readers enjoy.

In 1966, Galahad Books published Betty Wason’s “ENCYCLOPEDIA OF CHEESE & CHEESE COOKERY”, which is presented as her 11th book. The publishers note, “She has written extensively about travel and world affairs, and served as a CBS correspondent in Greece during the German occupation in 1941. Her articles have appeared in VOGUE, HOUSE & GARDEN, HOUSE BEAUTIFUL, ATLANTIC MONTHLY and AMERICAN HOME”. At the time “ENCYCLOPEDIA OF CHEESE” was published, Betty was also a consultant to the Spanish Oil Institute and other firms.”

“THE ENCYCLOPEDIA OF CHEESE” is divided, (similarly to The Everything Cookbook that would come a few years later), into four parts. Part I – the Wonders of Cheese, offers an armchair history of cheese, while Part II is a Glossary of the World’s Cheeses. Part III explains how to serve cheese (there is a Cheese Etiquette, in case you didn’t know), and Part IV – Cheese in the Kitchen – presents us with recipes that range from cheese soups to cheesecakes.

“All my life I have been a cheese lover,” writes Betty, “but until I did the research for this book, I had no idea cheese was such a complex and fascinating subject…but the only way for anyone to really learn about cheese is to taste it….”

Once again, it becomes evident that Betty’s prior exposure to other places and other things provided some of the inspiration for yet another book. She explains, “My passionate interest in archaeology provided to be a further help in delving into the early history of cheese-making, for in several museums in Spain I saw tools of cheese-making dating from the Bronze Age, and in archaeology books, in my library plus translations of the classic Greek and Roman writers, I came across many interesting anecdotes about cheese in ancient times…”

Curiously, “A SALUTE TO CHEESE”, published the same year but by Hawthorn Books, is identical to “ENCYCLOPEDIA OF CHEESE & CHEESE COOKERY”! I was so pleased when I found a copy of the former in a used bookstore, complete with dust jacket, for only $6.00. It was only after I got home and began leafing through the pages that I realized it was the same book, recipe for recipe, page by page. Both books were also published in 1966. (One can only guess at the reason why the same book was published by two different publishers at the same time. Perhaps one of the two cost less than the other?)

In 1967, Doubleday & Company published “THE ART OF GERMAN COOKING” by Betty Wason. Again, she visited the country. “Like most Americans today,” she writes, “I chose to fly to Germany in order to spend all my available time in the country itself, using the speedy transatlantic services of Trans World Airlines between New York and Frankfurt. Later, taking a cruise on the North German Lloyd’s luxurious new motor ship Europa, I realized how lovely it would be to have the leisure once again to cross the Atlantic by ship. At least, during the Caribbean cruise, I was able to talk with Chef Herbert Burmeister several times and to get from him recipes for some of the superb German specialties served on the Europa….” Betty describes the Germany she visited in the mid 1960s, but recalls, “It was in the late thirties, on the eve of World War II, when I visited Germany the first time as a journalist. During the Hitler era, elegance was frowned upon, at least for the people as a whole. The women were not permitted to use make-up and their clothes looked as if they had been designed to make every woman as dowdy and shapeless as possible…I was in German twice during the war years, before Pearl Harbor, and again in 1950 I visited Munich, Frankfurt and Stuttgart when those cities still had the rubble of aerial bombardments cluttering their streets and most shops offered only the barest necessities of life. To visit the richly prosperous, gay West Germany of today (1960s) is almost like seeing another country altogether. One is staggered by the change…”

She notes that for her, the most revealing things about people are found in little things. She says she always loved wandering through markets looking at the foods on display as a way of learning what kinds of foods go into home cooking. She also explains that one of the most difficult things about studying German cuisine was the language. “I once had the naïve idea that Germans all spoke the same language” she writes. She goes on to explain the differences—which reminded me of a conversation I once had with my German grandmother. Many different German foods and recipes are called by different names, depending on the region. Betty explains many of these differences. In this book, she presents a cross-section of recipes from the German cuisine of today (that is, in the 1960s) with new specialties born of today’s prosperity and old favorites which reflect the customs and traditions of another age.

“THE ART OF GERMAN COOKING” offers a great deal of history, along with recipes. I decided to quote Betty on the subject of sauerkraut, since this particular topic was discussed at my cousin Dan’s 4th of July cookout one holiday. (I make sauerkraut every few years, and can it. My cousin loves it so I keep him and his wife supplied. My cousin’s brother in law informed us that he learned how to cook sauerkraut while in Berlin and so knows the best way. I said oh, I just cook it with bratwurst. (I cook it pretty much the same way my mother did. We always have mashed potatoes and creamed peas along with it).

Betty writes, “After my recent gastronomic tour of West Germany, I concluded that one cannot dismiss sauerkraut simply as a vegetable. It is part of the German way of life.

Yet until the Mongol (or Tartar) hordes swept into Eastern Europe in the 13th century, sauerkraut was unknown in Germany. According to legend, at least, it was the Chinese who invented the dish, during the building of the Great Wall when the coolies were fed from barrels of cabbage preserved in sour rice wine. Salt was too precious to use then; wine (or vinegar) was cheaper. The Mongols learned about the sour cabbage when they conquered China, and brought it with them to Hungary. From Hungary it traveled to Austria, and from Austria to Germany. Which just goes to show,” Betty concludes, “how history plays strange tricks on people’s food habits..”

She goes on to explain that the ways of preparing sauerkraut in Germany are many. Along with regional differences they are differences in personal preferences. While some people like it cooked long and slow until very soft (which is how I cook ours), other people like it very sour and crunchy. Betty says that every region in Germany has at least one favorite sauerkraut dish. She also offers a recipe for making your own sauerkraut. “THE ART OF GERMAN COOKING” offers a great deal more than recipes for sauerkraut, however. If you ever happen to find a copy, this book, like all of Wason’s cookbooks, makes for enjoyable reading.

Another formidable undertaking would be “THE EVERYTHING COOKBOOK” published in 1970. This is a nice thick cookbook containing more than two thousand recipes!

“THE EVERYTHING COOKBOOK”, published by Hawthorn Books, is described by the publishers as five books in one: Book One is the “ABC’s of FOOD PREPARATION”. Book Two contains “MENU PLANNING AND WEIGHT CONTROL”, while Book Three offers “RECIPES”. Book Four is a “GUIDE TO ENTERTAINING” and Book Five “ALL ABOUT WINES AND SPIRITS”. This is a big thick cookbook that would compare favorably to almost any new comprehensive cookbook being published today.

In the course of her career, Betty Wason has worked as a food specialist and consultant. She was an associate food editor of WOMAN’S HOME COMPANION and editor at General Foods Kitchens. In addition, she wrote articles for HOUSE AND GARDEN, VOGUE, AMERICAN HOME, WOMAN’S DAY and other leading magazines. At one time, she was the woman’s editor for THE VOICE OF AMERICA.

At some point in her career, Betty Wason married and became Betty Wason Hall, and the mother of at least one daughter, Ellen. Ellen undoubtedly provided the inspiration for “COOKING TO PLEASE FINIKY KIDS” and “ELLEN: A MOTHER’S STORY OF HER RUNAWAY DAUGHTER”.

Betty moved to Pleasantville, New York along with a large collection of new and old cookbooks. Hunter Books, publishers of Macular Degeneration, indicate that as of 1998 Betty Wason was living in Seattle. Betty did not limit herself to writing cookbooks—she has, apparently, over the years written books about a variety of subjects.

The talented young lady who started out teaching cooking lessons traveled far and wide and experienced a versatile career that most of us can only dream about. She was, quite obviously, interested in a wide range of subjects, from archaeology to macular degeneration. And imagine this—her book on macular degeneration was published when Betty was 86 years old! Luckily for us, who love cookbooks, she wrote about those too.

Before closing, I want to make another comment about one of Betty Wason’s non-cookbook book accomplishments. In particular, I want to mention “MIRACLE AT HELLAS” which took some intensive searching to find, but was worth the search and the price.

I can only recommend that, since so many of Betty Wason’s books are out of print, you search diligently in your used book stores or internet websites such as Amazon.com for anything with her name on it.

Betty Wason is an author whose work has spanned six decades. I think you will be as impressed as I am over the quality and timelessness of her work.

Betty Wason passed away in February 2001 at the age of 88.

BOOKS BY BETTY WASON

• COOKING WITHOUT CANS, 1943, SMITH & DURRELL, INC. PUBLISHERS
• DINNERS THAT WAIT, 1954/DOLPHIN BOOKS (PAPERBACK EDITION)
• COOKS, GLUTTONS & GOURMETS, 1962/DOUBLEDAY
• THE ART OF SPANISH COOKING, 1963, DOUBLEDAY & COMPANY
• BRIDE IN THE KITCHEN, 1964 (publisher?)
• TRAVEL FAIR; HOWARD JOHNSON’S TIPS FOR TRIPS FOR FAMILIES ON THE GO, 1965 (publisher?)
• ENCYCLOPEDIA OF CHEESE COOKERY, 1966, GALAHAD BOOKS
• A SALUTE TO CHEESE, 1966, HAWTHORN BOOKS
• THE ART OF GERMAN COOKING 1967/DOUBLEDAY
• IT TAKES “JACK” TO BUILD A HOUSE; A DOWN-TO-EARTH GUIDE TO BUILDING AND REMODELING BY BETTY WASON, ILLUSTRATED BY B. STEPHEN SALTSBERG, 1968 (publisher?)
• THE LANGUAGE OF COOKERY, 1968 (publisher?)
• COOKING TO PLEASE FINIKY KIDS, 1969, ASSOCIATED PRESS
• BETTY WASON’S GREEK COOKBOOK, 1969/MACMILLAN
• HAIR TODAY & GONE TOMORROW, 1969 (publisher?)
• ART OF VEGETARIAN COOKERY, 1969 (publisher?)
• THE MEDITERRANEAN COOKBOOK, 1770 (publisher?)
• THE EVERYTHING COOKBOOK. 1970/HAWTHORNE BOOKS
• MEDITERRANEAN COOKBOOK, 1973 (publisher?)
• GIVING A CHEESE & WINE TASTING PARTY, 1975 (publisher?)
• IMPROVING YOUR HOME FOR PLEASURE & PROFIT, 1975 (publisher?)
• ELLEN, A MOTHER’S STORY ABOUT A RUNAWAY DAUGHTER, 1976 (publisher?)
• SOUP TO DESSERT HIGH FIBER COOKBOOK 1976 (publisher?)
• MACULAR DEGENERATION, 1999 (publisher?)

WHERE’S WALDO? (MY SEARCH FOR MYRA WALDO)

myra waldo photo(left) Photo of Myra Waldo from a magazine ad.

*The following article was originally written for the CCE (Cookbook Collectors Exchange, a newsletter) in 2001. At that time, I was unable to unearth ANY information about the whereabouts of Myra Waldo, much less whether or not she was still alive. I even wrote to a prominent used book dealer in NYC who had been featured a number of times in cooking magazines; he’d never even heard of her! Internet searches failed to reveal any information about Myra either before or after my article was published in 2001. Now, a decade later, I decided to update the article for my blog. Dutifully, I entered her name on Google.com again—and much to my surprise, this time I was rewarded with obituary details. The answer to “Where’s Waldo” will be found at the end of this article.

In 2001, I had written:
Where’s Waldo? No, not the cartoon character that is hidden in a maze of pictures for kiddies to search through – this time the Waldo is Myra Waldo, someone you may or may not have heard of, depending on how extensive your collection of cookbooks happens to be or how knowledgeable you are about cookbook authors of the past.

When my curiosity about Myra Waldo was first piqued, a dig through my own cookbook shelves unearthed seven old paperback cookbooks, three of which were duplicates (with two different cover designs). Since then, I have acquired a respectable stack of Myra Waldo’s cookbooks, some through the Internet (Alibris.com), some from Carolyn George, a cookbook seller, with whom I became acquainted through the Cookbook Collectors Exchange, a few that CCE publisher Sue Erwin unearthed and even one that I located in a used bookstore. I already had this one title but bought it anyway, because it was only $2.50. (I always figure I can find a home someday for the duplicates).

Actually, I became interested in Myra Waldo in a roundabout way (I sometimes feel like Alice falling into the rabbit hole—one thing seems to lead to another). I was doing some research on Molly Goldberg, for a reason I no longer recall—it might have been in connection with my research on old time radio programs. During an Internet search on Google.com, I came across an article in which a writer accused Molly Goldberg and Myra Waldo of being one and the same person. OK, for all the youngsters out there, your first question may be “Well, who was Molly Goldberg?”)—so I will have to digress a bit, and no, they were not one and the same person).

Molly Goldberg was, in real life, Gertrude Berg. Gertrude Berg was an actress, born in 1899, who debuted in 1929 with her own radio show on NBC, “The Rise of the Goldbergs”, later shortened to simply “The Goldbergs”. It was second only to Amos & Andy in popularity. (Please don’t write to ask me who Amos & Andy were.) What’s even more incredible, given the times (when women were expected to stay at home, barefoot and pregnant), Gertrude Berg was the creator, principle writer and star of this weekly comedy series. Berg wrote most of the episodes, which, after a twenty-year run, numbered over 5,000. It may be hard to imagine, but in the decades prior to television, radio was made up extensively of shows—some as short as 15 minutes, most a half hour long—comedy, mystery, western, drama—you name it.

(In 1994, I wrote an article titled “DON’T TOUCH THAT DIAL” which appeared in the May/June 1994 issue of the CCE. There were, in addition to all of the story-line shows, radio recipe programs too, a forerunner of today’s television cooking Shows. I rewrote and shortened “Don’t Touch that Dial” for my blog, renaming it “When Radio Was King” which was a June, 2009, post on this blog).

“The Goldbergs” followed the adventures of Molly Goldberg and her husband Jake, and their family through life’s everyday problems. The program had a phenomenal 17-year run starting in 1930. In 1949, the radio program made a successful transition to television. Truthfully, I don’t remember the radio version of the Goldbergs but I do remember the television show, which ran for about five years on TV. (We had the first television set on our street; my father loved having whatever was new and innovative in the way of appliances and household things). When it became clear that television shows of this genre were on their way out, Golberg revamped her show, moved “the family” to the suburbs and renamed the series “Molly”. Gertrude Berg passed away in 1966.

By this time you are probably wondering just what Myra Waldo has to do with Molly Goldberg. Just this: In 1955, Myra Waldo and Molly Goldberg collaborated on “THE MOLLY GOLDBERG JEWISH COOKBOOK”.
Molly is the primary character through the cookbook, speaking in first person, staying in her Molly Goldberg character, but Myra Waldo undoubtedly put most of it together. “THE MOLLY GOLDBERG JEWISH COOKBOOK”, published in 1955, was a combination celebrity/radio show cookbook and it remains in circulation to this day. I have a hardcover copy that is in fine condition. (I think I bought it from Jessica’s Biscuit, a cookbook seller).

But this is just one of the many cookbooks written or co-authored by Myra Waldo, whose first cookbook was published, I believe, in 1954.

So, who’s Myra Waldo? I’m glad you asked, but have to admit, it hasn’t been easy to learn much about this elusive cookbook author. The dust jackets of her cookbooks offer very little in the way of biographical information, and often it’s the same few paragraphs in dust jacket after dust jacket. More can be gleaned from the pages of her cookbooks, but, unlike James Beard and Elizabeth David, and the host of other cookbook authors who have had biographies written about them, there is little to be discovered about the private life of Myra Waldo.

Myra Waldo was a cooking expert and a world traveler and may have been the world’s most traveled cook for her time. She was a food consultant for Pan American Airways who, with her husband, attorney Robert J. Schwarz, traveled all over the world. During the decades in which she compiled numerous cookbooks, she was a familiar figure on radio and television, and in newspapers and magazines. In addition to being the food consultant for Pan Am, Myra arranged a monthly regional dinner for the Overseas Press Club in New York City. As a contribution to international relations, she prepared a famous Thanksgiving dinner in Moscow for the Ministry of Culture and Technicum Institute of Health and Nutrition. She was Special Projects Director for Macmillian Publishing from 1965 to 1970, and Food and Travel Editor for WCBS-New York from 1968 to 1972. Articles written by Myra Waldo appeared in Harper’s Bazaar, House & Garden, and The Diners’ Club. One of the most fascinating snippits of information that I learned about Myra Waldo is that she and her husband even spent eight weeks on a safari, after which they completed a film about their experience. It seems they were dauntless in their travels and went everywhere.

In her world travels, Myra, (like James Beard), collected recipes and menus where most tourists would collect souvenirs. Cookbooks with a foreign flair appear to have been her specialty, although she by no means limited herself to cookbooks of this genre.

“Before 1918,” Myra writes in her cookbook “COMPLETE MEALS IN ONE DISH”, “foreign food had but little acceptance and few enthusiasts in the United States. In the two decades or so that followed, Americans gradually began to be intrigued by the food of Europe and during that period Italian and French restaurants opened in profusion throughout the nation. But since the end of World War II, an enormous interest in the food not only of Europe, but also of the entire world has been growing swiftly all over the country….”

I agree with the above statement, but with a slight qualification. I think foreign foods have always had an acceptance in the various ethnic communities throughout the United States—Italian food in the Little Italys, German food in towns such as Cincinnati and Germantown, where the early population was predominately German. But I read somewhere that it was American soldiers during World War II who brought home with them an acquired taste for foreign foods; many of them also brought home War Brides who brought with them the traditional recipes of their native countries. (As an aside, I might mention that Sally Tisdale, author of “The Best Thing I ever Tasted” doesn’t agree with this theory—but we’ll review Sally’s book another time. I am always nonplussed by the synchronicity of things, as I am writing and researching. I first read about restaurant critic Colman Andrews in Ruth Reichl’s “Comfort Me with Apples”. Then I read about him in Sally Tisdale’s “The Best Thing I ever Tasted” – and although he was, apparently, a restaurant critic in Los Angeles for a number of years, I don’t recall ever reading anything about or by him before. Last I heard, he was/is editor of a food magazine).

In any case, there were far fewer foreign cookbooks available to us during the early decades of the 1900s—and oftentimes, those that were available were frequently written with European measurements.

Myra Waldo set out to change all that. In “COMPLETE MEALS IN ONE DISH” published in 1965, the author and her husband traveled throughout Europe—Robert Schwartz never seems to be addressed by name, he is always “My husband”—and each chapter is introduced with a delightful short story of where they traveled and what they saw, and how they happened to discover this dish or that. I was so intrigued with the short stories that I leafed through the entire book and read them all first, before the recipes.

My favorite story is that of Myra and her husband, while in Vienna, walking past the Hungarian Embassy. They began to discuss never having been to Hungary, looked at each other and retraced their steps. Inside the Hungarian Embassy they presented their passports – and before long, despite what Myra describes as “a slightly disquieting feeling of nervousness” they were on their way. As they drove through the countryside, in the middle of nowhere, – the radiator boiled over because the fan belt had become loose. While wondering what to do, they noticed a farmhouse off in the distance, so they walked to it, where they encountered a peasant woman airing bedclothes.

They attempted to communicate in English, French, and German, and when that failed, made their needs known with sign language. They carried off a bucket of water, promising to return the bucket and when they returned, tried to pay the woman.

Myra explains, “The woman waved it aside and motioned us to come inside the kitchen. A delicious aroma filled the air, and always curious I wanted to know what was on the stove. But, it appeared, that was the very reason we had been asked inside—to have something to eat. It was a meal-in-one-dish, a sausage stew made with potatoes and sauerkraut, hearty and delicious. We were embarrassed about eating her food, for it was obvious the farm was a poor one, but we were very hungry, and she was watching us for expressions of enjoyment in the food. It was very good—delicious, in fact. We drank a light white wine with the stew and enjoyed both enormously.

My husband, who has his points, came up with the perfect method of repayment. The woman wouldn’t take any money of course, but my husband opened a suitcase and extracted a box of Viennese candy, which we had brought along. He was right! She was ecstatic with pleasure and quickly and enthusiastically recited a list of names, apparently members of her family who would enjoy the candies…’

Myra and her husband left “amid many words of thanks on both sides, which she couldn’t understand, and which we couldn’t understand, but which everyone did understand”.

Don’t you just love it?

Other Myra Waldo cookbooks with a foreign flair were
PAN AMERICAN’S COMPLETE ROUND-THE-WORLD COOKBOOK, first published in 1954 and reprinted at least eight times, up to 1960;
“THE COMPLETE BOOK OF ORIENTAL COOKING”, first published in 1960 by David McKay Publishers;
“THE COMPLETE BOOK OF GOURMET COOKING FOR THE AMERICAN KITCHEN”, also published in 1960, by G.P. PUTNAM’S SONS (French cooking for American kitchens);
“THE ART OF SOUTH AMERICAN COOKERY” published in 1961 by Doubleday and
“INTER-CONTINENAL GOURMET COOKBOOK” published in 1967 by Macmillan Company. (one edition has a spiffy box to hold the cookbook in), but I also have a very nice hardcover edition published the same year. Was the boxed edition for something special?
“THE COMPLETE ROUND THE WORLD MEAT COOKBOOK”, was also published in 1967 by Doubleday & Company, and
“SEVEN WONDERS OF THE COOKING WORLD” was published in 1971 by Dodd, Mead & Company
**
“THE COMPLETE BOOK OF ORIENTAL COOKING” offers chapters on cuisine from Hawaii, Japan, Korea Phillipines, Indonesia, China, Indochina, Malaya, Thailand, Burma, and India.

“SEVEN WONDERS OF THE COOKING WORLD” is devoted to recipes from China, The Orient (other than China), Where East Meets West (recipes from Russia, Roumania, Greece, Turkey, Iran and Israel), Middle Europe (Germany , Austria, Hungary, Poland and Czechoslovakia), Italy, the Latin Countries (Spain, Portugal, South America and Mexico) and France.

“THE COMPLETE BOOK OF GOURMET COKING FOR THE AMERICAN KITCHEN” adapts hundreds of French gourmet recipes for American kitchens (and palates) with recipes ranging from appetizers to desserts, and a glossary of different kinds of cheeses, a chapter of information regarding wines and an herb and spice chart. This is the kind of book that will make gourmet cooks out of all of us.

“INTER-CONTINENTAL GOURMET COOKBOOK” presents recipes from twenty-six countries, (too many to list), but including Australia, Indonesia, Lebanon, Pakistan and Yugoslavia. What is most appealing about all of these cookbooks is that the recipes were all, obviously, chosen with particular care and are, in every instance, geared to the tastes of American palates. Each chapter is prefaced with an introduction by the author, whose writing is so appealing as to make you want to visit every one of these countries…being unable to do that, trying the many recipes might be the next best thing.

And, although “THE ART OF SPAGHETTI COOKERY” does not appear to have been classified amongst Waldo’s “foreign” cookbooks, it does contain recipes from many parts of the world; recipes such as Czechoslovakian potato noodle, Greek macaroni casserole, Bhat Aur Savia (Indian rice and spaghetti) and Chinese beef and noodles. As an added bonus, the author provides an interesting history of spaghetti in the Introduction. Makes no mistake about it, this is one cookbook author who always did her homework.

Another cookbook by Myra Waldo, while not strictly “foreign” has a European stamp, with recipes from France, Italy, Spain and Sweden.
This is “CAKES, COOKIES AND PASTRIES”, (187 great dessert recipes from around the world) first published by Crowell-Collier Publishing Company in 1962. Included are tantalizing recipes for goodies like Venezuelan Banana Torte and Viennese Poppy Seed Torte, Greek Pistachio Cookies and Swedish Honey cookies.

“MYRA WALDO’S DESSERT COOKBOOK” is written in a similar vein, offering recipes from many parts of the world. Included are recipes for yummy recipes such as Hungarian Plum Dumplings, Chinese Sesame Seed Bananas, Polish Almond Bars and Persian Rice Pudding. This, also, was first published in 1962 by Crowell-Collier Publishing Company.

“SERVE AT ONCE, THE SOUFFLE COOKBOOK, 1954, was published by Thomas Y. Crowell Company in New York.

“Myra Waldo has been testing and collecting souffle recipes for years,” we learn on the dust jacket of this book., “Her previous writing experience ranges from copy for cosmetics and chain stores to travel folders, and to assisting her husband compile two dictionaries. She is a member of the Gourmet Society of New York..” Aha, so now we know a bit more.

Correct me if I’m wrong, but I don’t think many cooks (whether male or female such as you and I, everyday people in our kitchens, prepare souffles anymore). If I were to make an educated guess, it would be that we don’t want to take the time to do anything culinary that takes too much time. Our cake and brownie mixes come out of a box; our cookies are slice and bake. We cut to the chase with pre-cut and frozen onions and already minced garlic and a lot of things that come out of cans. I am just as guilty of this as the next person. I often start out with a mix of some kind and then “doctor” it. (and now someone has made a career out of doing just that on TV). When I start researching cookbook authors of half a century ago, I begin to realize how far we have strayed from “scratch” cooking. I think I’ll try some of these souffle recipes and get back to you on this particular issue.

Myra Waldo appeared to be ahead of her time with cookbooks that were for our health. “SLENDERELLA COOK BOOK” was first published in 1957 by G.P. Putnam’s Sons. Later, it appeared in paperback under the title, “THE COMPLETE REDUCING COOK BOOK FOR THE WHOLE FAMILY”. Another cookbook published in paperback was titled “COOKING FOR YOUR HEART AND HEALTH”, first published by G.P. Putnam’s Sons in 1961, reprinted in paperback by Pocket Book in 1962 (cost of the paperback was fifty cents—imagine THAT!).

One book appears to have been originally published by Collier’s as a paperback, was “THE CASSEROLE COOKBOOK” (170 ingenious one-dish dinners). I think it might have been a takeoff from her earlier “COMPLETE MEALS IN ONE DISH” although the recipes are different. “The casserole” noted the author, “is the greatest single boon for the busy hostess. It permits her to join her guests instead of being confined to last-minute duties in the kitchen…” I agree, and reading both books, found many recipes that would be suitable even today. The back cover of “THE CASSEROLE COOKBOOK” notes that “Myra Waldo is the author of many Collier cookbooks, including “COOKING FROM THE PANTRY SHELF”, “GREAT RECIPES FROM GREAT RESTAURANTS”, “THE HAMBURGER COOKBOOK”, “COOK AS THE ROMANS DO”, “SOUFFLE COOKBOOK”, “CAKES, COOKIES AND PASTRIES” and “1001 WAYS TO PLEASE A HUSBAND: THE BRIDE’S COOKBOOK”. Incidentally, if you have this last title, it appears to be the most elusive of all Waldo’s books and, for some reason, the highest priced listed in Alibris.com. I am unable to determine whether 1001 Ways to Please a Husband and The Bride’s Cookbook are one and the same or two separate books.

“THE BRIDE’S COOKBOOK” was published by Collier as a paperback in1961 with numerous reprints. The copy my friend Sue Erwin located was printed in 1972. As cookbooks go, this one is a delightful departure from the norm. It’s the story of newlyweds, Jane and Peter, told in diary form by Jane; the recipes are good and the story line is cute. As an aside, while researching this and other cookbook authors, it has become apparent that quite a few writers of the 50s and 60s wrote a bride’s cookbook.

Another favorite Myra Waldo cookbooks is “THE DINERS’ CLUB COOKBOOK, (Great Recipes from Great Restaurants), published in 1959 by Farrar, Straus and Cudahy, Inc. Recipes are from famous restaurants from coast to coast and there is even one from the Toll House in Whitman Massachusetts—where the original chocolate chip cookie was created. The recipe in the Diners Club cookbook, however, is a frosted daiquiri pie. Many of the restaurants no longer exist today, but it’s fun to read and the recipes sound delicious.

In 1960, Myra Waldo published “COOKING FOR THE FREEZER” and this was dedicated to preparing meals in advance. Written prior to the advent of side-by-side freezers and cross top freezers, the refrigerator-freezer shown on the cover with the author doesn’t look like it would hold more than a single meal but the author offers recipes that reconstitute satisfactorily after freezing and do sound good. Most of Myra Waldo’s cookbooks show, I think, the influence of her world travels.

Despite being a most prolific cookbook author throughout the 50s, 60s, and 70s, publishing over 40 cookbooks, Myra Waldo appears to have all but disappeared from our culinary landscape. Most of my food-related books fail to mention her at all; James Trager, in “THE FOOD CHRONOLOGY” refers only briefly to her first cookbook, “THE SOUFFLE COOKBOOK” published in 1954, and Waldo’s 1967 “INTERNATIONAL ENCYCLOPEDIA OF COOKING”. (As a yardstick of comparison, I noted that Irma Rombauer, who wrote only one cookbook (Joy of Cooking) ranks an entire lengthy paragraph in Trager’s Food Chronology, while Margaret Rudkin who introduced the world to Pepperidge Farm Bread and wrote “THE PEPPERIDGE FARM COOKBOOK” is acknowledged with nearly an entire page. Ida Bailey Allen who, you know, is the author of first cookbook I was introduced to as a child, is referenced nine times in Trager’s book, even though some of Allen’s books were little more than pamphlets and many were quite obviously promotions for the products that sponsored her.

And yet, as I leaf through cookbook after cookbook written by Myra Waldo, I am impressed with the quality of her writing. Recipes are written straightforwardly, directions are clear and precise. Any one of us could read her cookbooks, today, and follow her instructions. Sometimes we are gifted with interesting asides such as those in “THE COMPLETE BOOK OF GOURMET COOKING FOR THE AMERICAN KITCHEN” in which Myra explains how Baked Alaska was the unexpected and happy result of a laboratory experiment and tells us how sherbets came to 16th century France with Catherine de Medicis, bride of Henry II. Myra often gives us a food-related history lesson throughout the pages of “THE COMPLETE BOOK OF GOURMET COOKING FOR THE AMERICAN KITCHEN”. This cookbook, incidentally, is another favorite of mine. The stories she shares in COMPLE MEALS IN ONE DISH are heartwarming. Each chapter begins with a short memoir—and it is here, in this cookbook, that one gets a true sense of who Myra Waldo is.

Another mystery to this most elusive cookbook author is that her books were published by many different publishers, sometimes two different ones in the same year. Oftentimes, an author’s books will be published by the same publisher.

And where’s Waldo, today? I don’t know. I have been unsuccessful in my efforts to trace the elusive Ms. Waldo. If you know the answer to this question, let me hear from you.

BOOKS BY MYRA WALDO
This list is intended to be a guide; I have no way of knowing how complete the list is.

• SERVE AT ONCE, THE SOUFFLE COOKBOOK 1954, was published by Thomas Y. Crowell Company in New York.
• PAN AMERICAN’S COMPLETE ROUND-THE-WORLD COOKBOOK, first published in 1954 and reprinted at least eight times, up to 1960;
• THE COMPLETE BOOK OF ORIENTAL COOKING”, first published in 1960 by David McKay Publishers;
• DINING OUT IN ANY LANGUAGE/1956
• THE SLENDERELLA COOK BOOK/G.P. PUTNAM’S SONS 1957
• BEER AND GOOD FOOD/DOUBLEDAY & CO, 1958
• COOKING FOR THE FREEZER/DOUBLEDAY & CO, 1960
• THE COMPLETE BOOK OF GOURMET COOKING FOR THE AMERICAN KITCHEN/G.P. PUTNAM’S SONS, 1960
• MYRA WALDO’S DESSERT COOKBOOK/CROWELL-C0LLIER PUBLISHING 1962
• THE COMPLETE REDUCING COOK BOOK FOR THE WHOLE FAMILY, PERMABOOKS (paperback) 1957 (*originally published in hard cover as the Slenderella Cook Book)
• 1001 WAYS TO PLEASE A HUSBAND, 1958* (is this the same book as the Bride’s Cokbook?)
• MYRA WALDO’S BICENTENNIAL AMERICAN KITCHEN/POPULAR LIBRARY EDITION 1960
• COMPLETE BOOK 0F GOURMET COOKING FOR THE AMERICAN KITCHEN, DRAWINGS BY NATHAN GLUCK, 1960 (publisher?)
• THE COMPLETE BOOK OF ORIENTAL COOKING/DAVID MCKAY COMPANY, 1960 (Bantam Book published 1960)
• COOKING FOR YOUR HEART AND HEALTH/G.P. PUTNAM’S SONS, 1961 – POCKET BOOK EDITION, 1962
• THE BRIDE’S COOKBOOK, Collier Books 1961 (paperback) original copy right 1958. (*Is 1000 Ways to Please a Husband and The Bride’s Cookbook one and the same book?)
• CAKES, COOKIE AND PASTRIES/THE CROWELL-COLLIER PUBLISHING COMPANY, 1962
• COMPLETE BOOK OF VEGETABLE COOKERY, OR HOW TO COOK VEGETABLES SO YOUR FAMILY AND FRIENDS WILL RAVE ABOUT THEM—AND YOU, 1962 (publisher?)
• COOKING FROM THE PANTRY SHELF, 1962 (publisher?)
• THE PANCAKE COOKBOOK, 1963
• THE CASSEROLE COOKBOOK/COLLIER BOOKS (paperback) 1963
• THE PLEASURES OF WINE/A GUIDE TO THE WINES OF THE WORLD 1963 (publisher?)
• COMPLETE MEALS IN ONE DISH/DOUBLEDAY & COMPANY, 1965
• COMPLETE BOOK OF WINE COOKERY 1965 (publisher?)
• DICTIONARY OF INTERNATIONAL FOOD AND COOKING TERMS, 1967
• INTERNATIONAL ENCYCLOPEDIA OF COOKING, ILLUSTRATED BY SIDONIE CORYN 1967 (publisher?)
• INTER-CONTINENTAL GOURMET COOKBOOK/THE MACMILLAN COMPANY, 1967,
• THE FOOD AND DRINK OF SCOTLAND/HIPPOCRENE BOOKS 1996*
(this date may be incorrect. Possibly 1969?)
• SEVEN WONDERS OF THE COOKING WORLD, 1971
• CUCINA ORIENTALE, 1972 (publisher?)
• COMPLETE ROUND-THE-WORLD COOKBOOK; RECIPES GATHERED BY PAN AMERICAN WORLD AIRWAYS FROM OVER 80 COUNTRIES WITH FOOD AND TRAVEL COMMENTS BY MYRA WLADO, 1973 (publisher?)
• THE MOLLY GOLDBERG JEWISH COOKBOOK/JOVE PUBLICATIONS, (PAPERBACK) 1978
• ART OF SOUTH AMERICAN COOKERY, ILLUSTRATED BY JOHN ALCORN, 1996 (publisher? Date accurate?)

Dates unknown:
• COMPLETE ROUND-THE-WORLD HORS D’OEUVRES BOOK
• COMPLETE ROUND THE WORLD MEAT COOKBOOK
• COOK AS THE ROMANS DO
• CREATIVE MEALS IN HALF THE TIME
• DICTIONARY OF INTERNATION FOOD AND COOKING TERMS
• DIET DELIGHT COOKBOOK
• FLAVOR OF SPAIN
• GREAT RECIPES FROM GREAT RESTAURANTS (possibly the Diner’s Club cookbook?)
• THE HAMBURGER COOKBOOK
• MYRA WALDO’S CHINESE COOKBOOK
• THE GREAT INTERNATIONAL BARBEQUE COOKBOOK
• THE PRIME OF LIFE AND HOW TO MAKE IT LAST

TRAVEL BOOKS:

• MYRA WALDO’S TRAVEL GUIDE TO EUROPE (no date)
• NEW HORIZONSA, USA
• MYRA WALDO’S TRAVEL & MOTORING GUIDE TO EUROPE, 1967
• MYRA WALDO’S TRAVEL GUIDE TO THE SOUTH PACIFIC, 1981
• JAPAN EXPO ’70 GUIDE, 1970
• MYRA WALDO’S RESTAURANT GUIDE TO NEW YORK CITY AND VICINITY
• MYRA WALDO’S TRAVEL GUIDE TO SOUTH AMERICA
• MYRA WALDO’S TRAVEL GUIDE TO SOUTHERN EUROPE
• MYRA WALDO’S TRAVEL GUIDE TO THE ORIENT AND THE PACIFIC

And this is what I found on Google January 15, 2011:

Dateline July 29, 2004
“Myra Waldo, a writer who filled bookshelves with advice on places to see and their customs, died Sunday in her home in Beverly Hills. She was 88 and formerly lived in the Upper East Side of Manhattan. The cause was congestive heart failure, her family said…Myra Waldo was born in Manhattan and attended Columbia University. In 1937 she married Robert J. Schwartz, a lawyer, who died in 1997. She used her maiden name professionally….” (Obviously, Wolfgang Saxon who wrote this piece – didn’t really KNOW anything about Myra Waldo. He concludes, “Ms. Waldo worked on special projects for the MacMillan Publishing Company in the late 1960s. From 1968 to 1972, she was on the air as food and travel editor of WCBS radio, a job that led to her 1971 “Restaurant Guide to New York City and Vicinity” which she continued to revise into the 1980s.” ARE YOU KIDDING ME, WOLFGANG? This is all you had to write about a woman who wrote over FIFTY books?

Jill Holzman, writing for Jewish Journal did considerably better with a short obituary about Myra Waldo Schwartz on August 5. 2004:

“Myra Waldo Schwartz, travel writer, food editor and critic, died July 25. A member of the Screen Actors Guild, Myra had numerous television appearances, a radio show on food on New York’s WCBS News Radio 88 and was the food editor for the Baltimore Sun’s This Week Magazine.
She wrote more than 40 books, including “The Complete Round The World Cookbook”, “Seven Wonders of the Cooking World” “The Molly Goldberg Cookbook” and “l,001 ways to Please Your Husband.”

Her passport bears the stamp of nearly every country, and the former president of the Society of American Travel Writers once described her as ‘The most traveled woman in the world,’ having visited every continent but Antarctica.

She is survived by her sister, Naomi Waldo Holzman; nephews Dr. Gilbert and Dr Donald Holzman, and their respective families. She remains an inspiration to her family, friends and fans.”

I’m only slightly mollified. It seems to me that Jill Holzman, being a family member, could have expanded more on Myra’s career. I would certain hope that, if I had written over forty cookbooks many of which were reprinted countless times in paperback editions (I know because I have a lot of them), my family had better have more to say about my illustrious career than a mere nine lines. And I have to say, I was saddened to learn she was living in Beverly Hills – not so very far from me when I was still living in the San Fernando Valley. I can’t help but wonder if she would have given me an interview, had I but known.

So, in 2011 when I ask you “Where’s Waldo?” you might correctly respond “In heaven” – or maybe she is peeking over my shoulder tonight, offering inspiration.

Happy cooking-and Happy cookbook reading!

–Sandra Lee Smith

WHO IS JEAN ANDERSON, COOKBOOK AUTHOR?

Jean Anderson is a cookbook author whose work I have long admired, but with the publishing of “AMERICAN CENTURY COOKBOOK” her status, in my eyes, increased enormously. This is a cookbook to treasure forever, and the fascinating detail is reflected in the pages that took the author ten years to write. Other cookbook authors have written books in tribute to the past century, but Jean Anderson’s “AMERICAN CENTURY COOKBOOK” easily outshines them all. It could not have been an easy task, to search out the most popular recipes of the 20th century, and to chronicle 100 years of culinary change in America. Look at the changes that have taken place in just the past twenty or thirty years!

Jean began her research for this book by writing to editors of food magazines, major women’s magazines and newspapers throughout the country, as well as home economists at major food companies, asking for their 10 most requested recipes of the century. The response, she reports, was overwhelming. It was logical, I think, for Jean to start with these resources. We know that food editors have their fingertips on the pulse of American cookery. Who knows better what recipes are most requested by their readers? And, it was a role that Jean herself had played for a number of years. (As a young adult, I was strongly influenced in my love for recipes and the stories behind them, by Fern Storer, who was for many years a food editor of the Cincinnati Post. After we moved to California, whenever my mother was getting ready to mail a box of favorite things to me and would ask what I wanted sent, I’d reply “Rubel’s rye bread and the food sections from the Cincinnati post”. After we settled in Los Angeles, I began collecting the S.O.S. columns in the L.A. Times for many years).

And, although I knew I had a few other Jean Anderson cookbooks on my bookshelves, it wasn’t until I read “THE AMERICAN CENTURY COOKBOOK” that I became curious – who is Jean Anderson, cookbook author?

Like so many other culinary artists, Jean Anderson is a southerner, a native of Raleigh, North Carolina, who was born Helen Jean Anderson. For many years she lived in New York City, but a few years ago in the late 1990s, Jean returned to the south, to Chapel Hill, where she lives today. For many years, Jean lived in Manhattan; she worked as an editor of Family Circle and Ladies Home Journal. She was also a senior editor at Venture magazine. She traveled the world on assignments for magazines such as Gourmet, Saveur, and Travel and Leisure. Jean traveled extensively as a free-lance writer-photographer in Europe, parts of Russia, India, the Middle East, and Latin and South America (Her travel itinerary reminds me a bit of a couple of other favorite cookbook authors, Myra Waldo and Betty Wason).

Jean is a graduate of Cornell University, where she majored in food and nutrition and has a master’s degree in journalism from Columbia University. Her early career included working as women’s editor for the North Carolina Agriculture Extension Service.

Jean’s parents were both mid-westerners (who were considered Yankees at that time, in the south). Jean has said that she loved reading, writing and cooking from a very early age, something many of us can relate to. And like so many other successful cookbook authors, Jean credits her mother with allowing her into the kitchen and encouraging her interest.
“I can remember when my father gave my mother a copy of “THE JOY OF COOKING” she has recalled, “I thought, ‘I would like to write a book like that!” (And THAT rang a bell with me – I credit my mother with my love of cooking when she turned ME loose in the kitchen when I was about ten years old—but my mother’s cookbook was an Ida Bailey Allen Service cookbook, the only one she owned for many years).

Well, Jean has written a book like that–quite a few, as a matter of fact, and her childhood dream of winning the Pillsbury Bake-Off was realized in part, when she participated as a judge at the Waldorf Astoria for one of the Bake-offs, during the period of time when Jean was a managing editor of Ladies Home Journal.

Jean visited Columbia University’s School of Journalism with the staff of her high school paper when she was a teenager, and was so impressed by the school that, after earning her Bachelor of Science Degree in Food and Nutrition at Cornell University, she headed back to Columbia to receive her Master’s degree in Journalism. It was during Jean’s graduate studies at Columbia that she won the honored Pulitzer Traveling Scholarship, which enabled her to spend a year abroad.

Jean Anderson has received many awards in the course of her career, including being named “Editor of the Year” in 1992 by the James Beard Foundation; she was inducted into the James Beard Who’s Who in Food & Beverages in America in 1994, and into the James Beard Cookbook Hall of Fame in 1999. She was a winner of the R.T. French Tastemaker Award, for Best Basic Cookbook of the Year, in 1975, and then for Best Specialty Cookbook of the Year, in 1980. Jean was a winner of the Seagram/International Association of Culinary Professionals Award for Best Foreign Cookbook of the Year in 1986 (possibly The Food of Portugal, which was published in 1986), and was a finalist for the James Beard Cookbook Awards and Julia Child Cookbook Awards in 1998.

One can’t help but wonder—how does a girl from North Carolina, who spent most of her adult life in New York, happen to write a book about Portugal? Jean explains, in the introduction to “THE FOOD OF PORTUGAL” that she never expected to find such bounty or culinary virtuosity when she first visited Portugal 25 years before writing her one and only foreign cookbook. As a matter of fact, “THE FOOD OF PORTUGAL” was the only major cookbook in English ever published on the food of Portugal at the time it was published, in 1986. When people heard that she was writing a Portuguese cookbook, they invariably asked, “But isn’t it just like Spanish cooking?” to which Jean demonstrates, no, it isn’t.

She explains, that, although Portuguese and Spanish cooks both rely heavily upon many of the same ingredients—tomatoes, garlic and olive oil, to name three, the differences are subtle, such as the Portuguese gazpacho version being much thicker, brimming with crumbles of yeasty homemade bread so that it more closely resembles their ‘dry soups’ called ACORDAS. Jean says the Portuguese version of flan is smoother and spicier than the Spanish because they are often thickened with egg yolks as opposed to whole eggs, and flavored only with cinnamon. Rarely do they contain lemon or vanilla, seasonings loved by the Spanish “just next door”.

“It was the Portuguese,” Jean reminds us, “who launched Europe’s Age of Discovery in the early 15th century; the Portuguese who designed a ship that could sail both with and against the wind (the caravel); who charted the west coast of Africa; who rounded the Cape of Good Hope; who plucked Madeira and the Azores from the ‘Green Sea of Gloom’ as the Atlantic was then known; who discovered Brazil; and who, not least, found the water route to the East’s treasury of spices..”

Jean returned to Portugal every year since her original trip in 1961—sometimes two or three times a year and remarks that she knows of “no nation where the countryside, climate, produce and cooking all shift so abruptly in a few short miles…”

She says she learned much over the years from Portuguese cooks who not only gave generously of their time and talent, but also happily handed over cherished family recipes…the result being, “THE FOOD OF PORTUGAL”.

“I have broken bread in castles,” Jean writes, “convents, sophisticated Lisbon restaurants and salty tascas (bistros). I have interviewed cooks trained and untrained, haute and humble; I have prowled markets in towns large and small, and returned to the fish auctions of Cascais, Portimao, and Albufeira more often than I can remember. And,” she comments, “I came away from Portugal this last trip convinced that we Americans know more about the cooking of the People’s Republic of China than we do about that of this ‘most foreign’ of Western European
countries despite the fact that there are many Portuguese communities scattered across the face of America….”

Now here’s a most curious thing: Jean writes, “I have dined both simply and sumptuously in Portuguese homes and shall never forget the caldo verde (the green cabbage soup that is considered the national dish of Portugal) served to be by a complete stranger in a one-room fieldstone hut at the end of a squiggy mountain road. I had lost my way in the northerly Minho Province in the fog that so often frequents its mountains in early spring, and had stopped to ask directions. An old woman swathed in black answered my knock, and seeing how cold and tired I was, insisted that I rest a bit, and revive myself before moving on. I sat on a scrubbed pine table beside the mound of intensely emerald cabbage she had been shredding, watched as she tossed handfuls of it into a pot bubbling over an open fire. She stirred the pot once, twice, let it mellow several minutes, then produced a brown pottery bowl and ladled the steaming jade liquid into it. She then cut for me a thick wedge of broa (the rough, yeast-raised corn bread of the north) and poured a glass of vinho verde (the region’s crackling green wine, so called because it comes from green mountains and valleys, and also because it is drunk young. I don’t know that I have ever enjoyed a meal more….”

Déjà vu! I remember cookbook author Myra Waldo’s story of her experiences while traveling in Hungary! I wrote the following for the Cookbook Collectors Exchange some years ago:

My favorite story is that of Myra and her husband, while in Vienna, walking past the Hungarian Embassy. They began to discuss never having been to Hungary, looked at each other and retraced their steps. Inside the Hungarian Embassy they presented their passports – and before long, despite what Myra describes as “a slightly disquieting feeling of nervousness” they were on their way. As they drove through the countryside, in the middle of nowhere, – the radiator boiled over because the fan belt had become loose. While wondering what to do, they noticed a farmhouse off in the distance, so they walked to it, where they encountered a peasant woman airing bedclothes.

They attempted to communicate in English, French, and German, and when that failed, made their needs known with sign language. They carried off a bucket of water, promising to return the bucket and when they returned, tried to pay the woman.

Myra explains, “The woman waved it aside and motioned us to come inside the kitchen. A delicious aroma filled the air, and always curious I wanted to know what was on the stove. But, it appeared, that was the very reason we had been asked inside—to have something to eat. It was a meal-in-one-dish, a sausage stew made with potatoes and sauerkraut, hearty and delicious. We were embarrassed about eating her food, for it was obvious the farm was a poor one, but we were very hungry, and she was watching us for expressions of enjoyment in the food. It was very good—delicious, in fact. We drank a light white wine with the stew and enjoyed both enormously.

My husband, who has his points, came up with the perfect method of repayment. The woman wouldn’t take any money of course, but my husband opened a suitcase and extracted a box of Viennese candy, which we had brought along. He was right! She was ecstatic with pleasure and quickly and enthusiastically recited a list of names, apparently members of her family who would enjoy the candies…’

Myra and her husband left “amid many words of thanks on both sides, which she couldn’t understand, and which we couldn’t understand, but which everyone did understand”.

Well, I guess my next question is, do all American cookbook writers who go to Europe have experiences such as these? And isn’t it strange that both Myra Waldo and Jean Anderson had such similar experiences in two totally different countries?

But, getting back to “THE FOOD OF PORTUGAL” – if you can find a copy, grab it! I have to say, this is one of the most fascinating “foreign” cookbooks I have ever acquired. I want to try every single recipe! (I found my copy on Alibris.com)—and the photographs will take your breath away! (Jean is also a photojournalist in the field of food and travel—a love of photography is something else I share with her. Recently my 8 year old grandson asked me why I am constantly taking pictures of food. I replied “Because I like to”.

Two other cookbooks of Jean Anderson’s that I cherish are “THE GRASS ROOTS COOKBOOK” and “RECIPES FROM AMERICA’S RESTORED VILLAGES”. I am especially fond of the former because it’s a collection of America’s recipes, completely unique, completely Jean. Jean’s style in ‘THE GRASS ROOTS COOBOOK” reminds me of the Browns, in “AMERICA COOKS”. I am charmed by “RECIPES FROM AMERICA’S RESTORED VILLAGES” because it came to my attention shortly after I visited Hale Farm and Western Reserve Village in Ohio, with my brother and his youngest daughter, my niece, Laura. I had no idea there are restored villages such as these sprinkled all over the United States and it was quite an experience. “RECIPES FROM AMERICA’S RESTORED VILLAGES” was published in 1975 and I don’t know if all of these places are still operating—but Hale Farm was, some years ago, when I was visiting my brother in Cleveland. And if you are looking for an all-around cookbook, may I suggest “JEAN ANDERSON COOKS/ HER KITCHEN REFERENCE & RECIPE COLLECTION” published in 1982.

Jean’s “American Century Cookbook”, my favorite of the lot, was published in 1997. Obviously not content to rest on her laurels, in 2000, William Morrow, published Jean’s cookbook “DINNERS IN A DISH OR A DASH”, which I am going to review for you separately at a later date.

After “DINNER IN A DISH OR A DASH” Jean has published a new book every few years. In 2003, it was “PROCESS THIS!” by William Morrow Publishing. (“Process This!” is all about learning how to make the most of a food processor. I’m assuming that Jean really loves food processors; in 1979 William Morrow & Company published her “JEAN ANDERSON’S PROCESSOR COOKING”. Then in 1983 her publisher, William Morrow & Company, published JEAN ANDERSON’S NEW PROCESSOR COOKING”.

In 2005, she published “Quick Loaves”, followed in 2007 with “A LOVE AFFAIR WITH SOUTHERN COOKING”, William Morrow publisher. Her latest cookbook is “FALLING OFF THE BONE” which was published in October, 2010. (I plan to order this cookbook and so will get back to you later on what I think about it. I can’t imagine not liking anything that Jean Anderson writes. Right now, I have thirteen of her cookbooks.

Not bad for a little lady who shows no signs of slowing down! While attempting to update my records and see what Ms Anderson had been writing about since “American Century Cookbook”, I discovered she has her own website! You can visit it at jeanandersoncooks.com.

What an inspiration she is!

Bibliography
 GRASS ROOTS COOKBOOK, DOUBLEDAY DELL PUBLISHING, 1974, 75, 76, 77, 92 (*The Grass Roots Cookbook is a outgrowth of magazine pieces originally features in Family Circle magazine)
 The Doubleday Cookbook VOL 2 (with Elaine Hanna). Doubleday: 1975. R.T. French Tastemaker Cookbook-of- the-Year as well as Best Basic Cookbook
 RECIPES FROM AMERICA’S RESTORED VILLAGES, Doubleday, 1975
 THE GREEN THUMB PRESERVING GUIDE, WILLIAM MORROW & COMPANY, 1976
 JEAN ANDERSON’S PROCESSOR COOKING, WILLIAM MORROW & COMPANY, 1979
 Half a Can of Tomato Paste & Other Culinary Dilemmas (with Ruth Buchan). Harper & Row, 1980. Seagram/International Association of Culinary Professionals Award, Best Specialty Cookbook of the Year.
 JEAN ANDERSON COOKS, WILLIAM MORROW & COMPANY, 1982
 JEAN ANDERSON’S NEW PROCESSOR COOKING, WILLIAM MORROW & COMPANY, 1983
 The New Doubleday Cookbook (with Elaine Hanna). Doubleday: 1985.
 The Food of Portugal. William Morrow: 1986. Seagram/International Association of Culinary Professionals Award, Best Foreign Cookbook of the Year
 The New German Cookbook (with Hedy Würz). HarperCollins: 1993
 The American Century Cookbook. Clarkson Potter: 1997
 The Good Morning America Cut the Calories Cookbook (co-edited with Sara Moulton). Hyperion: 2000
 Dinners in a Dish or a Dash. William Morrow: 2000

 Process This! New Recipes for the New Generation of Food Processors. William Morrow: 2002. James Beard Best Cookbook, Tools & Techniques Category
 Quick Loaves. William Morrow: 2005
 A Love Affair with Southern Cooking: Recipes and Recollections. Foreword by Sara Moulton. William Morrow: 2007
 Falling Off the Bone, Wiley Publishing, published October 19, 2010

Also by Jean Anderson:

THE ART OF AMERICAN INDIAN COOKING (with Yeffe Kimball)
FOOD IS MORE THAN COOKING
HENRY, THE NAVIGATOLR, PRINCE OF PORTUGAL
THE HAUNTING OF AMERICA
THE FAMILY CIRCLE COOKBOOK (with the Food Editors of Family Circle Magazine)

This list is as comprehensive as I could make it, based largely on the dozen or so Jean Anderson cookbooks in my personal collection. I also checked with Google.com and Amazon.com for titles. I have ordered “Quick Loaves” and plan to purchase both “A Love Affair With Southern Cooking” and “Falling off the Bone”. People who know me well are aware that I have had a running love affair with southern cooking for many years also and wrote about it way back when in the Cookbook Collectors Exchange, an article that was titled “That’s What I like about the South”.

Happy Cooking! And when you aren’t cooking, read a good cookbook!

–Sandra Lee Smith